Prompt de Retrato Cinematográfico à Beira d'Água em Jiangnan

Ultra-realistic cinematic traditional Chinese-style portrait photography, a young East Asian woman in her early 20s sits alone on a weathered wupeng boat in a Jiangnan water town or classical garden canal, vertical composition, approximately 2:3 ratio, medium-wide to full-body framing, the subject positioned center-right of the frame, occupying about 55% - 60% of the image. She sits sideways on the wooden planks at the bow of the boat, legs naturally folded, a wide skirt cascading over the deck. Her right hand is raised, gently holding a pale celadon teacup near her chest, while her left hand rests naturally on her knee. She does not look directly at the camera, instead turning her head slightly to gaze into the distance on the left side of the frame, her expression calm, gentle, and reserved, with a faint smile at the corners of her lips, like a woman quietly savoring tea and scenery alone on the boat. She has a delicate, soft oval face, a natural jawline, deep brown almond-shaped eyes, a slender straight nose, and naturally nude-pink lips. Her makeup is subtle and classical: a sheer natural base, light brown eyeshadow, fine eyeliner, soft brow shape, low-saturation peach blush, and nude-pink lip color. Her long black hair is styled in a traditional half-up bun or low-hanging chignon, with thin strands of hair falling loosely on both sides over her chest; the bun is adorned with pale green jade, white flowers, and a small hairpin, with a semi-transparent light-colored ribbon trailing down from the back. She wears a traditional Hanfu in pale gray-green, smoky green, or moon-white with a bluish tint, with a cross-collar right-lapel closure and layered garments: an ivory-white inner layer and an extremely thin, semi-transparent wide-sleeved outer robe with delicate tonal patterns, floral embroidery, or jacquard textures. The wide sleeves drape naturally, and the skirt is composed of multiple layers of ivory-white and pale blue-green sheer gauze, softly spreading across the bow of the boat. The fabric texture is lightweight, semi-transparent, and refined, avoiding any stage-costume feel, with no logos and no modern elements. The wupeng boat is clearly aged, with dark ochre, nearly black wooden planks showing cracks, peeling, moisture, and signs of long-term wear; a low, arched wooden canopy and an old window frame sit at the rear right. On the bow of the boat rest a pale celadon narrow-necked wine vessel, lotus leaves, a pale pink lotus flower, and a slightly unrolled antique calligraphy scroll, forming a still-life foreground. The surrounding scene is a quiet Jiangnan river or lake, with the water surface in gray-green and blue-gray tones, soft ripples reflecting the trees. The background features large cascading branches, fresh green young leaves, shoreline trees, and misty garden scenery, with overhanging branches above creating a natural framing. The distance is softened by light mist and a shallow depth of field, evoking a humid early-spring morning atmosphere. Soft early-morning natural light comes from the upper left of the frame, filtering through leaves to create dappled side lighting, casting delicate highlights on the woman's face, shoulders, sleeves, and skirt, while leaving gentle reflections on the water surface. The overall palette is low-saturation and low-contrast, dominated by blue-gray greens, smoky white, aged wood ochre, and natural skin tones, with a touch of light mist and aerial perspective. Shot with a 50mm or 85mm lens at f/2.8 - 4, ISO 200 - 400, 1/250s, with a medium-shallow depth of field. Realistic skin pores, hair strands, silk and gauze textures, porcelain glaze, aged wood cracks, water reflections, and lotus leaf details are preserved. Slight film grain and soft highlight halation are applied. Avoid plastic skin, CG look, HDR, oversharpening, incorrect Hanfu structure, deformed fingers, repeated props, or extra figures. Overall style: high-end Chinese antique cinematic still frame, Jiangnan water town fine art portrait, Song-dynasty Eastern aesthetics, elegant, poetic, quiet, and reserved. No text, no logos, no watermarks.