Pôster de Colagem de Viagem em Meio-Tom ASCII

Translate each uploaded travel photo into an individual "ASCII HALFTONE TRAVEL COLLAGE" high-end poster. Do not combine multiple photos into one collage - output each photo separately. Use a vertical composition divided into two zones. The top and bottom zones should each take up roughly half the frame, separated by a clean, straight horizontal line. TOP ZONE - ORIGINAL PHOTOGRAPHY Keep the original photo in the top zone. Preserve the identity of people, architecture, vehicles, landscapes, lighting direction, and overall atmosphere. Do not redraw, replace, stretch, or distort the original subjects. Apply only subtle, high-end color grading to give it the feel of an independent magazine, travel publication, or exhibition photograph. You may extend the sky, road, wall, or background naturally to fit the format, but do not alter the main subject. BOTTOM ZONE - ASCII HALFTONE COLLAGE Extract one core visual element from the photo - for example: A landmark building, architectural detail, archway, column, vehicle, sculpture, boat, person, street object, or natural contour. Do not reproduce the full original composition, and do not apply an ASCII filter over the entire photo. Instead, recompose the selected element by cropping, scaling, or changing局部 proportions. Rebuild it using torn-paper photo fragments, black halftone dots, monospaced ASCII characters, overprint registration lines, and paper texture. Let some areas of the element retain realistic photographic detail, while other areas dissolve into halftone patterns built from characters with varying density: . : / | + = # @ Arrange the characters to follow the volume, shading, contours, or motion of the subject, so they feel like part of the form - not random background noise. Add black halftone dots of varying sizes, ink bleed, slight misregistration, torn paper fibers, and a few thin measurement or registration marks. You may include one restrained calibration red line, block, or overprint mark - but do not use red extensively. Leave about 25% to 40% of the bottom zone as continuous off-white or warm gray paper negative space, so the photo fragments and character clusters can breathe. COLOR PALETTE Pull colors from the original photo. Keep the most representative tones of the place or subject, but reduce overall saturation. Unify everything with warm gray paper tones, black ink, and one restrained calibration red accent. TYPOGRAPHY Add a small typographic system based on the location and subject: 1. One short, clear English title; 2. One archive code, e.g. "REC. STUDY 01"; 3. One brief English observation line. All text must be legible and meaningful - no gibberish, no decorative fake code. Use a bold monospaced typewriter font for the title. The archive code and observation line may be smaller, but must remain readable. Place the text along areas of paper negative space, torn edges, halftone margins, or registration lines, so it feels integrated with the layout. OVERALL STYLE The final poster should feel like an independent publication, an experimental print, a photocopied archive sheet, or a travel observation notebook page: calm, raw, restrained, intelligent - with the真实 texture and temperature of a travel document. Avoid: black terminal interfaces, code windows, cyberpunk neon, full-screen ASCII filters, random logos, illegible micro-text, pure black backgrounds, templated layouts, or cheap glitch effects.