Pôster de Impressão de Meio-Tom Arquitetônico

Translate each travel photo I upload into an independent "Architectural Silhouette Halftone Translation" editorial poster. Generate each photo separately - no multi-image collages, no grids, and no combining different locations into a single artwork. Use a 3:4 vertical dual-panel composition, with the upper and lower zones at a near 1:1 ratio, separated by a clean, straight, restrained horizontal boundary. The upper half preserves the original photograph in full. It must faithfully maintain the building's identity, roofline, dome, spire, column rows, door and window relationships, the impression of statue count, viewing angle, perspective direction, figure placement, real materials, natural light and shadow, and the original color atmosphere. Apply only a light art-publication-grade photographic color grade and an extremely thin film grain. The upper half must still clearly read as a real photograph - no illustration treatment, no building replacement, no perspective alteration, no adding or removing figures, and no sky reshaping. The lower half extracts the most recognizable architectural silhouette and spatial structure from the same photo and reorganizes it into a monochrome screen-print-style architectural silhouette halftone image. Do not simply turn the photo into a black-and-white halftone filter, and do not redraw the full original framing at the same scale. Actively recompose based on architectural features: enlarge core structures such as domes, towers, roofs, colonnades, arches, or staircases to 65% - 90% of the redrawn area's height, allowing the subject to bleed off the bottom or side edges, using partial cropping for stronger visual impact. Keep only the structures that define the building's identity, and remove repetitive small windows, sky texture, surrounding clutter, and photographic noise. Use one deep screen-print ink to form heavy solid silhouettes for roofs, domes, spires, arches, and primary structures; render facades with only a few bold lines, broken lines, and large tonal relationships. Figures, plants, distant colonnades, building edges, and secondary structures should gradually dissolve into circular halftone dots of varying sizes. Dot size, density, and absence should convey distance, curvature, occlusion, and spatial depth - not uniformly cover the entire frame. Use warm ivory, off-white, or unbleached paper as the base color for the redrawn area, and extract one most representative deep ink color from the original photo, such as deep blue, ink green, brick red, deep brown, or charcoal black. Use only this single ink color throughout the redrawn area, building hierarchy through solid areas, linework, dot density, and ink absence - no second decorative color. Retain approximately 25% - 38% of continuous paper negative space. The negative space must work with the architectural silhouette to form the layout - it can sit beside the building, in the sky direction, inside a curve, or along the subject's edge - but it cannot be a hard white rectangular patch. Add a small amount of English text in the negative space, corresponding to the photo's content: - A main title of 1 - 3 English words; - A numbering field such as "STUDY NO. 01"; - A short observation sentence of 5 - 12 English words. Generate the title from the building, structure, or spatial features actually visible in the photo, such as dome, colonnade, bell tower, arch, or spiral stair. Do not invent dates, coordinates, building names, or historical information. Set the text in the same deep ink as the image, using bold uppercase letterforms, old-style screen-print type, or a publication face with slight ink loss. The main title must remain clearly legible at chat-preview size; secondary text can be smaller but must not shrink into an unreadable decorative line. Allow slight ink loss, paper tooth, and hand-printed imperfection at the letter edges. The overall feel should be architectural archive, independent publication, monochrome screen print, and modern architectural poster: structural, with negative space, with printed weight, while staying quiet, restrained, and collectible. Avoid: full-photo halftone dot filters, grayscale photo effects, fine etching, evenly sized smooth vector dots, complete reproduction of the original composition, generic city skylines, fictional buildings, multi-color inks, cheap vintage filters, dense explanatory text, artist names, signatures, logos, watermarks, QR codes, fake Chinese, and garbled text.