Editor de Placas de Campo Arquitetônico

Please transform each architectural travel photo I upload into a separate, standalone "architectural observation plate" editorial poster. No multi-image collage - each photo is output individually. The overall format is a 3:4 vertical composition, divided into two clearly defined zones. The upper zone occupies about 45% of the frame and faithfully preserves the original photograph. Keep the building's true structure, viewing angle, perspective direction, facade proportions, roofline, rhythm of arches, natural light, and original colors. Apply only a light architectural magazine and exhibition photography color grade. Do not turn the photographic area into an illustration, do not alter the building's identity, and do not add structures that do not exist. The lower zone occupies about 55% of the frame and uses warm white archival paper as the background, reorganizing the same building into a restrained, meticulous architectural observation plate. Depict the building with fine pen, graphite pencil, and a very small amount of transparent color washes. Preserve the building's most recognizable overall silhouette, facade layering, main perspective axes, roof, tower body, dome, arches, and window grid rhythm. Do not redraw the full composition in proportional scale from the original photo. Reorganize the subject into a main architectural study drawing that is centered or slightly lower, occupying about 48% - 68% of the lower zone's width, with generous continuous paper white surrounding it. Extract 2 - 4 real, visible architectural details from the same photograph and render them as small node studies, such as: - Arched windows or doorways - Dome rib lines - Roof seams - Carved ornamentation - Capitals or cornices - Glass structure grids - Repeating facade units Use sparse fine leader lines, short measurement ticks, alignment lines, and structural arrows to connect the local nodes to the main building. All details must come from the original photo. Do not invent building interiors, section structures, false dimensions, coordinates, dates, or heights. Colors are extracted entirely from the original photo. Use at most three low-saturation colors, plus black-gray linework. Color washes are used only to emphasize key materials and structures of the building, such as stone, patinated copper roofs, brick-red tile surfaces, or glass. Do not fill the entire drawing with color. Keep large areas of continuous white space in the lower zone and add the following three layers of text: 1. A clearly legible building name or a 1 - 3 word English title; 2. A plate number such as "FIELD PLATE 01"; 3. One short observation sentence of 5 - 12 English words describing a structure, color, or spatial rhythm that is truly visible in the photo. Text uses architectural office archival typefaces, restrained serifs, or wide-track sans-serifs, arranged along the plate grid and leader lines. Text must be clearly legible but must not form a dense annotation block. The overall feel is that of an architectural travel notebook, a field survey sketchbook, an architectural office archive, and an independent publication. The paper shows subtle fibers and pencil erasure marks, and the linework has clear weight variation. Avoid fully saturated architectural illustrations, CAD blueprint interfaces, dense annotations, fictional dimensions, random structural diagrams, re-renders with swapped materials using the same crop as the original photo, photographic lower halves, author names, logos, watermarks, fake Chinese characters, and garbled text.