Photo to Artistic Poster with Embossed Relief

Please turn each photo I upload into an independent, high-end design poster, no multi-image stitching, each photo output separately. Overall use 3:4 vertical composition, with the upper and lower areas strictly 1:1, each occupying 50% of the canvas. Upper half: Keep the original photo, maintaining the subject's identity, structure, pose, realistic texture, natural lighting, and original color atmosphere, only apply slight high-end photographic color grading to give it an art magazine, independent publication, and exhibition photography feel. To fit the canvas, you may naturally extend the sky, ground, or environmental background, but must not stretch, distort, or alter the subject. Lower half: Extract the most recognizable subject, silhouette, pose, and narrative relationship from the photo, reconstructing it into an ultra-minimalist art poster with the texture of Chinese letterpress embossing / paper carving relief. The whole should look printed on heavy cream-white paper, using shallow relief, fine shadows, minimalist line carving, and restrained layering to re-summarize the subject, not mechanically replicating details, but preserving the most core structural features and spatial relationships, so one can recognize it at a glance as the same object as the upper half. Depending on the subject type, it can be transformed into a top-down, front-facing, slight top-down, or axially extended shallow relief composition, and appropriately retain environment silhouettes related to the subject, giving the image clear hierarchy, depth, and a museum-exhibition-like tranquility. Overall: Use the lower half's large areas of cream white, warm white, or light paper color as the base, with the subject and related elements uniformly presented in the same color scheme of shallow relief, building layers through print height differences, edge shadows, and subtle light and dark; you may add a small amount of matte gold details and soft warm white light only at the most critical local structure or visual focus of the subject, to strengthen the core recognition point, avoiding color clutter, excessive decoration, and scene stacking. Text: Must be transformed into part of the image structure, not a normal title caption. Extract short text from the subject's identity, location attributes, thematic temperament, action state, or symbolic meaning, which may use a title + keywords + a small amount of numbering, location, or micro-annotations / philosophical quotes. Use restrained gold or dark gray serif / high-end editorial fonts, which may be placed on the central axis, below the subject, on the white margins, or aligned with the relief structure, making it form a sense of order and exhibition poster temperament together with the printed subject, rather than a pasted-on information layer. Overall style: Pursue high-end, quiet, minimalist, restrained, Eastern aesthetics, museum poster feel, and paper sculptural feel. Whether the original image is architecture, people, animals, plants, objects, vehicles, or natural landscapes, the lower half should maintain a clear and elegant visual echo between the real photography and the printed relief reconstruction. Avoid garbled text, low clarity, deformed subjects, cluttered colors, cramped composition, cheap 3D feel, and template feel.