Paper Clay Travel Miniature Prompt

Please create each of my uploaded travel photos into an independent high-end illustrated poster, no multi-image collage, each photo output separately. Overall use 3:4 vertical composition, the picture is divided into clearly distinguishable real photo area and stylized illustration area, with a straight, clear horizontal boundary between the two, no blending, feathering or torn paper collage. The real photo area occupies about 45%~50% of the picture, and the illustration area occupies about 50%~55%. The upper part faithfully preserves the original photo. Accurately maintain the subject identity, architectural structure, mountain terrain, roads, water bodies, ships, transportation tools, number of people, observation angle, spatial relationships, real materials, natural lighting and original color atmosphere. Only make slight artistic publication, travel magazine or exhibition photography color grading, and add extremely subtle film grain. Do not redraw the photo into an illustration, do not stretch, mirror, replace the sky, alter buildings, move the subject or add or remove important objects. The lower part extracts 3~7 structures from the same photo that best prove the location's identity, such as representative architectural silhouettes, mountain contours, city slopes, coastlines, roads, ships, cable cars or roof levels, and reconstructs them into a "hand-pinched paper clay city shallow relief miniature" displayed on warm natural paper. Do not completely copy the photo's framing, and do not shrink the complex scene into a crowded model. Actively delete repeated windows, dense streets, advertisements, clutter, irrelevant people and photographic noise, keeping only the forms necessary for one to recognize the original scene at a glance. Based on the photo content, reorganize the subject into an irregular miniature base, shallow relief terrain or small building cluster, making the illustration area clearly different from the upper photo in subject scale, cropping, background quantity and spatial organization. The relief is concentrated in the center or lower-center of the illustration area, the subject usually occupies about 40%~60% of the illustration area's width, with about 40%~60% of continuous warm white paper left around it. The blank space must be a complete, quiet piece of paper, not tiny gaps between objects. The material must be clearly expressed as: paper clay, stone-powder clay, air-dry clay, handmade plaster relief, soft ceramic slip, shallow sculptural relief. Express the real blunt edges of hand-pinched paper clay, slightly skewed forms, fingerprint indentations, carving knife grooves, stamped windows, fine cracks, slight powder falling, uneven thickness, powdery matte pigments and real contact shadows. Buildings, mountains, water surfaces and transportation tools only need to rise slightly from the paper, and must not be made into smooth plastic models, toy cities or finely detailed realistic sand tables. Colors are completely extracted from the original photo, then processed with powdering, softening and limited color. Preserve the most recognizable overall color of the photo, unify it into a few pastel-like natural colors, and may keep one small area of location-specific color as a visual focus. Do not apply a fixed color palette to all photos. By default add three layers of accurate, readable English text: 1. A main title of 1~3 English words extracted from the photo's location or theme; 2. A relief number similar to "MODEL NO. 01"; 3. A line of 5~10 English words of observation sentence describing the mountains, streets, buildings, ships or spatial relationships truly visible in the photo. The main title must be clearly readable at normal chat preview size, about 20%~35% of the illustration area's width. The text should look lightly pressed into the paper surface, or carved on an irregular small clay plaque, with slightly powdery edges and handmade errors, and must not overlay smooth digital fonts. Do not fabricate locations, dates, coordinates, brands or citations. The overall presentation is a quiet, restrained, tactile, slightly childhood-model-memory collectible travel editorial design. Avoid: smooth glossy CGI, polished ceramic, plastic resin, toy city, Lego, isometric game art, cardboard architecture, folded paper, thick impasto, photoreal scale model, generic skyline, crowded miniature, hyper-detailed windows, fixed colour palette, full-poster redraw, same-crop same-scale redraw, tiny source-photo thumbnail, fake text, author name, signature, logo, watermark. The most important rule: the upper part must retain a clear, substantial real original photo; the lower part is not an ordinary 3D city model, but a hand-pinched paper clay travel miniature that has been actively subtracted and reorganized from the original photo, truly possessing fingerprints, cracks, powdery surfaces and shallow relief thickness.