Nostalgic 90s portrait untangling a dial-up modem cable

Hyper-realistic editorial photography, single image, single frame, separate file, without grid, without mosaic and without collage, vertical 4:5, of a woman with characteristics faithful to the reference images sitting barefoot under a wooden desk in a vivid Brazilian room from the late 90s, patiently untangling the spiral cord of a dial-up connection, with attention focused on the cable and spontaneous posture inside the tight space. The camera remains under the desk, close to the floor, using the furniture legs and wires as diagonal frames. In the foreground, out-of-focus cables, carpet fibers and a partially cut box with unlabeled floppy disks; in the main plane, the woman, her hands and the telephone wire in focus; above and in the background, beige computer, CRT monitor, external modem, worn keyboard, lamp and open window to the roofs and poles of the neighborhood. The only fantasy follows the real infrastructure: small pulses are born from the modem LEDs, travel along the cable with discreet glow, pass through her fingers and continue through the urban wires, connecting a few roofs like a delicate electrical constellation, with coherent reflections and occlusions. Blue-green light from the CRT contrasted with amber tungsten, deep and informative shadows. Fuji Superia 800 scanned, strong grain, slight green dominant, restricted bloom and lifted blacks. Preserve identity, anatomy, cable tension and microtextures; without Wi-Fi, smartphone, flat screen, legible text, logo, random beams, cyberpunk, HDR, plastic skin or CGI. Specifications: 28 mm, f/4, ISO 800, Fuji Superia 800 scanned, vertical 4:5.