Modernist Geometric Motion Field Travel Poster
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Modernist Geometric Motion Field Travel Poster A detailed prompt for converting travel photos into modernist geometric motion field posters, with real photo top and geometric illustration bottom, including color, text and avoidance guidelines.
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Please convert each travel photo I upload into an independent **MODERNIST GEOMETRIC MOTION FIELD** advanced travel photo illustration poster.
Each photo output separately, no multi-image collage.
Overall use 3:4 vertical composition, composed of 'real original photo' and 'modernist geometric illustration' two areas. Default top and bottom each occupy about 50%, use straight, clear horizontal boundary separation, no feathering, no mixing, and no graphics crossing the boundary.
## Top: Real Original Photo
Top faithfully uses the original photo.
Accurately maintain in the photo:
- Person identity and count
- Person orientation and mutual order
- Limb movements and body center of gravity
- Actions like walking, riding, talking, waiting, photographing, leading
- Clothing main color and key personal items
- Vehicles, roads, shops and architectural structures
- Original observation angle and spatial relations
- Real materials, natural light and original color atmosphere
Must let viewers clearly see the top is a real original photo, not a regenerated realistic illustration.
Only perform slight and restrained advanced photography color grading to give it travel magazine, independent art publication and photography exhibition quality, and add a very thin film grain.
To fit vertical frame, can naturally crop or extend sky, road and surroundings, but must not stretch, distort, mirror, move or redesign people, vehicles and buildings.
## Bottom: Action Semantics Extraction
Do not mechanically convert the whole photo into a flat vector illustration.
First identify the most important action relations in the photo, for example:
- One person riding forward
- One person passing a street corner or shop
- Two people walking shoulder to shoulder across a road
- Person and animal connected by a leash
- Person waiting for a vehicle
- People talking or looking at each other
- Person briefly crossing with bus, bicycle, railing or street
Key retain:
**Person count + left-right order + body orientation + action axis + center of gravity + core props + one essential environmental structure.**
Remove dense crowds, ads, messy text, repeated windows, road clutter, complex shop displays and irrelevant building details.
Must not simply follow the original photo's full framing and person proportions and change material.
Redesign the lower half composition based on photo content:
- Enlarge main person or person relation to 55%-80% of illustration area height
- Allow people, wheels, awnings or building color blocks to slightly crop out of frame
- Compress complex environment into 1-3 large color fields
- Keep only one road baseline, building axis or movement direction line
- Use person actions, vehicle direction or object connections to form visual tension
## Geometric People
Rebuild people with modernist geometric forms:
- Head: circle, semicircle or split circle
- Torso: trapezoid, rectangle, rounded block or irregular arc surface
- Arms and legs: long bars, fold lines, triangles and joint points
- Clothing: limited flat color blocks
- Props: simplified but instantly recognizable
Riders must keep wheels, frame, hands and riding center of gravity.
Walking people must express stride through staggered legs, body tilt and arm direction.
Leash, luggage or cart scenes must keep the connecting line and its directional tension.
Multi-person scenes must keep original photo's count, relative distance, front-back layers and action relations.
Weaken or omit facial features, do not depict skin texture, clothing wrinkles or realistic body structure.
People must not become bathroom symbols, generic corporate illustration people or geometric mannequins without action relations.
## Environment Geometry
Environment keeps only one structure that best explains location or action:
- Cafe awning
- Intersection crosswalk
- Vehicle horizontal color block
- Street perspective axis
- Building facade
- Railing or streetlight
- Platform edge
- Shop opening
- Tree canopy or horizon
Bicycle wheels, umbrellas, round street signs, shop lights and other real circular elements can become geometric anchors.
When photo has no circular structure, do not add many dots randomly to mimic Bauhaus.
Add a few thin straight lines, short dashed lines, coordinate nodes, direction arrows or horizontal baselines. These lines must respond to person gaze, movement direction, leash relation, street perspective or building structure, not random decoration.
## Color
Extract and compress from original photo into 5-8 limited colors:
- One dominant large-area environment color field
- Black, dark gray or dark color for people and main structures
- Warm white or off-white as breathing space
- 2-4 auxiliary colors from clothing, buildings, vehicles or shops
- At most one small high-saturation color as rhythm accent
Main color must vary per photo.
Can use deep blue, brick red, stone gray beige, olive green, purple gray, ochre yellow, lake blue or other colors truly present in the photo.
Do not fix all photos into red, yellow, blue primary Bauhaus template.
Colors should be flat, matte, restrained, with slight paper grain, ink absorption and minimal registration offset.
Avoid neon clashes, rainbow colors, complex gradients, plastic gloss and smooth corporate illustration feel.
## Small Text System
Add a small amount of English small text related to photo theme and action in the lower half.
Text usually includes:
1. A 1-3 English word action title
2. One line of series name and number
3. One 5-12 English word observation short sentence
For example:
`FORWARD LINE`
`MOTION STUDY 01`
`The street narrows while the rider keeps his line.`
Or:
`SHARED PACE`
`MOTION STUDY 02`
`The leash draws one quiet diagonal through the afternoon.`
If photo location can be reliably confirmed, can write:
`PARIS MOTION STUDY 01`
If city cannot be reliably confirmed, only use:
`URBAN MOTION STUDY 01`
Observation sentence must describe real existing action, direction, weather, color or spatial relation in photo, must not invent stories, dates, coordinates, building names or person identity.
Use restrained narrow or geometric sans-serif font:
- Wide letter spacing
- Clearly readable
- Museum label moderate small size
- Aligned with geometric axes, road baseline or large color block edges
- Use charcoal, off-white or main color ink from palette
- Keep slight paper absorption and uneven registration
Text total area not exceeding 5% of illustration area.
Can pair with one short horizontal line, one direction arrow or one or two micro coordinate nodes, but must not develop into complex infographic.
Must not add author name, account, signature, Logo, QR code, URL, fictional brand or meaningless numbers.
## Overall Quality
Final image should look like a page from an advanced modernist travel magazine:
Top records real street,
Bottom re-arranges this moment's action, distance, speed and direction.
Has international design studio, modern art publication, architecture and urban observation magazine visual quality.
Rational but not cold, geometric but still retains human relations and everyday warmth.
## Forced Avoid
Avoid:
missing original-photo comparison,
multiple-photo collage,
same-crop full-scene vector tracing,
photographic filter,
generic Bauhaus template,
fixed primary-color palette,
random circles,
meaningless coordinate lines,
generic corporate illustration,
bathroom-symbol people,
childish cartoon,
anime,
detailed faces,
photoreal vector portrait,
incorrect limbs,
detached bicycle wheels,
broken leash,
changed walking direction,
invented pedestrians,
invented landmarks,
smooth digital gradients,
glossy surfaces,
3D characters,
neon colors,
dense typography,
large advertising slogans,
fake French words,
author name,
signature,
logo,
QR code,
watermark,
mockup frame.
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References
- Category: creative Prompts
- Source: https://x.com/Hamburgerai/status/2092450972618625130
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