Locked Studio CGI Brand Object Portrait

[BRAND NAME = __________] [MATERIAL COLOR = __________] [BACKGROUND COLOR = __________] Create a 9:16 studio CGI portrait using a LOCKED optical-glass brand-object system. Treat the composition, object scale, camera, body geometry, material hierarchy and lighting architecture as a fixed master setup. Across different brands, ONLY these elements may change: - authentic [BRAND NAME] symbol geometry; - [MATERIAL COLOR]; - [BACKGROUND COLOR]; - physically derived lighter/darker variations of those colors. Everything else remains visually consistent. ## CORE OBJECT Create exactly ONE floating rounded-square optical object. The object consists of exactly TWO physical material systems: 1. ONE continuous thick translucent glass/resin body; 2. ONE separately fabricated darker reflective [BRAND NAME] logo inlay fitted into its front surface. The result must feel like a real experimental industrial-design object photographed in a controlled studio. Do NOT create a conventional app icon. Do NOT create a glossy plastic button. Do NOT create layered UI geometry. ## LOCKED MASTER COMPOSITION Aspect ratio: 9:16. The rounded-square glass body must occupy approximately 60% of the total canvas width. Target variation between generations: no more than ±2%. Its apparent scale must NEVER change according to brand, logo complexity or logo proportions. Lock: - camera distance; - focal-length character; - body dimensions; - body position; - negative-space amount; - frontality. Place the geometric center of the complete glass body at approximately: X = 50% of canvas width; Y = 52% of canvas height. Do not move the object upward or downward for different brands. Do not zoom in for simple logos. Do not zoom out for complex logos. Every generation must feel as if the SAME physical object was photographed from the SAME locked tripod position and only the logo insert and colors were replaced. ## BODY SILHOUETTE Create one substantial rounded-square / soft-squircle body. Match this fixed proportion across the full series: - near-square frontal silhouette; - very slightly taller than wide; - broad rounded corners; - subtly bowed outer sides; - heavy optical thickness; - smooth continuous outer curvature. Projected height should be approximately 106–110% of projected width. Physical Z-depth: approximately 17–20% of object width. Do not alter these proportions for different brands. No sharp CAD chamfers. No separate rim. No outer frame. No second shell. No backing plate. ## FRONT SURFACE The front face must be subtly SHALLOW CONCAVE. This is not a separate inset panel. The center sits slightly farther back along the Z axis than the perimeter. The surface gradually transitions inward from the thick outer edges toward a broad, almost planar recessed central area. Keep the concavity understated. Approximate recession depth: 3–4% of total physical body thickness. The depression must be readable through: - changing reflection width; - gradual tonal shifts; - optical thickness; - subtle center darkening. There must be NO visible closed rounded-square boundary defining the depression. The body is ONE continuous molded surface. ABSOLUTELY NO: - raised pillow center; - convex front; - secondary rounded-square panel; - bezel; - frame; - border; - decorative ring; - perimeter rail. ## COLOR LOGIC - HARD RULE [MATERIAL COLOR] controls the complete chromatic family of the physical object. Derive ALL object coloration from it: - body tint; - transmitted light; - internal absorption; - edge refraction; - thicker-edge saturation; - lower-edge optical accumulation; - logo-inlay tint; - subtle colored reflections inside the glass. Use only: - lighter versions; - darker versions; - deeper versions; - more saturated versions; - more transparent versions of the SAME [MATERIAL COLOR]. Neutral-white reflections are allowed because they represent white studio sources. Never introduce an unrelated accent hue. For red: scarlet, ruby, crimson, burgundy, wine-red. For blue: cobalt, navy, deep blue, electric blue. For green: emerald, forest, deep green. If [MATERIAL COLOR] does not contain blue, do NOT introduce blue. If it does not contain violet, do NOT introduce violet. No automatic cyan edge. No fixed blue underlight. No contrasting RGB accent. ## OPTICAL BODY MATERIAL Use [MATERIAL COLOR] as the body tint. The body should resemble a physically believable hybrid of: - cast optical glass; - lightly frosted acrylic; - slightly hazy transparent resin. The object must remain translucent. It must NOT resemble opaque plastic. The material contains subtle internal haze and imperfect optical clarity. ### FRONT REGION The broad front face should be softly diffused. Use: - partial transparency; - mild internal fogging; - low-frequency cloudy density; - gentle transmission; - soft specular response; - faint tactile grain. Approximate roughness: 0.20–0.28. ### OUTER CURVATURE Toward the perimeter, make the exact same material noticeably cleaner and more polished. Approximate roughness: 0.08–0.14. Increase Fresnel response naturally at grazing angles. This should make the thick outer edges more optically active than the central face. Do NOT treat the perimeter as another material or another physical layer. ## INTERNAL OPTICAL DEPTH The glass must visibly have thickness. Use restrained: - volumetric absorption; - internal scattering; - refraction; - transmission; - Fresnel brightening. Thicker regions should appear naturally denser and more saturated. The lower portion of the body may accumulate more [MATERIAL COLOR] because light travels through greater optical depth. This is NOT an LED glow. This is NOT a colored rim light. It is color accumulation inside thick translucent material. ## MICROTEXTURE Preserve the tactile imperfection visible in the master Pinterest look. Add: - many extremely small dust specks; - microscopic pale particles; - very fine irregular grain; - sparse hairline scratches; - tiny internal inclusions; - a few minute surface scuffs. These details should be most visible inside illuminated translucent regions. Keep their scale microscopic. The object remains refined and manufactured. No grime. No fingerprints. No large scratches. No distressed appearance. No noisy procedural plastic texture. ## BRAND LOGO ACCURACY Use the authentic official standalone symbol of [BRAND NAME]. Preserve: - canonical silhouette; - canonical proportions; - internal negative spaces; - component relationships; - intersections; - spacing; - characteristic geometry. Do not redesign. Do not simplify. Do not invent substitute geometry. Use the standalone mark rather than the wordmark whenever the brand has one. ## FIXED LOGO SCALE Preserve the authentic aspect ratio of the logo. Place the complete brand symbol inside a fixed centered logo zone approximately 42–45% of the glass body's width. Scale the logo proportionally until its LARGEST dimension reaches approximately 43% of body width. Do NOT: - enlarge simple logos; - shrink visually complex logos without necessity; - resize the glass body around the logo; - change camera framing according to the symbol. The glass body remains locked. Only the authentic logo geometry changes. ## LOGO INLAY MATERIAL The brand symbol is a separate physical insert. Do NOT make it: - an empty hole; - a carved cavity; - printed artwork; - painted artwork; - part of the translucent glass body. Create it from a darker, denser, smoother reflective material derived from [MATERIAL COLOR]. Examples: red glass → deep ruby / wine-red polished inlay; blue glass → deep cobalt / smoked navy inlay; green glass → dark emerald inlay. Material character: - opaque or nearly opaque; - smooth; - dense; - moderately glossy; - slightly reflective; - subtly metallic or glass-metal composite. It should remain clearly darker than the surrounding translucent body. No generic chrome. No neutral black unless naturally consistent with [MATERIAL COLOR]. ## LOGO INLAY CONSTRUCTION Fit the logo precisely into a shallow machined recess in the glass. The broad logo face should sit approximately flush with the recessed front face. Do NOT strongly extrude the whole logo. Create refined perimeter construction: - microscopic raised polished lip; - extremely narrow micro-bevel; - tiny fitting seam; - narrow dark separation gap; - restrained ambient occlusion. The visible edge detail should come from real construction: micro-bevel → thin white specular reflection → microscopic seam → tiny dark AO. Do NOT draw an outline around the logo. Do NOT create a thick metallic stroke. ## PRIMARY LIGHT Use one large neutral-white rectangular soft source positioned high above-left and slightly toward camera. This is the strongest light in the image. It must create the characteristic master reflection: - large bright white reflection on the upper-left outer corner; - reflection extending vertically down part of the left curved side; - thin bright highlight continuing along part of the top edge; - soft spill onto the translucent front surface. The upper-left corner should contain the brightest value in the image. The reflection must reveal glass thickness and curvature. It must NOT become a uniform glowing perimeter. ## FRONTAL REFLECTION Use a second large, weak neutral-white studio card/front-right source. Create a broad diffused pale reflection across the right half of the glass face. This reflection should be: - large; - soft; - slightly vertically elongated; - diffused by the frosted material; - brighter than the surrounding body but much softer than the upper-left highlight. It should resemble a large white studio card reflected through slightly frosted optical glass. Preserve tonal variation so the concavity remains readable. ## RIGHT-SIDE NEGATIVE FILL The camera-right outer edge must remain noticeably darker than the upper-left side. Use negative fill. Do not light the object symmetrically. The visual balance should remain: bright upper-left → softly illuminated face → progressively darker right-side thickness. ## LOWER EDGE The lower edge may be subtly brighter and more saturated than the central face. Its color must be generated exclusively from [MATERIAL COLOR]. For red material: ruby / scarlet / crimson. For blue: cobalt / deep blue. For green: emerald / deep green. No contrasting hue. No separate colored light strip. No LED appearance. Keep this effect restrained. ## LOGO REFLECTIONS The dense logo inlay should react differently from the frosted body. Use: - smaller reflections; - sharper specular highlights; - darker broad tonal areas; - occasional thin neutral-white edge glints. The microscopic polished lip should catch very narrow white highlights. Do not uniformly illuminate the whole logo outline. ## CAMERA - LOCKED Use a near-orthographic frontal product camera. Full-frame equivalent: 100mm. Camera sensor almost parallel to the object's front plane. Very minimal perspective distortion. Allow only enough depth perception to reveal the physical outer curvature. No three-quarter rotation. No isometric view. No diagonal tilt. No wide-angle effect. The camera relationship remains exactly the same across every brand. ## BACKGROUND Use [BACKGROUND COLOR] as the sole background color family. Create a seamless dark atmospheric studio void. Allow extremely broad subtle variations derived from [BACKGROUND COLOR]. The background may become slightly brighter behind or below the object, but there must be no visible geometric halo. Keep the corners and upper background darker. No unrelated hue. No horizon. No floor. No wall. No texture. No scenery. ## DEPTH OF FIELD Keep essentially the entire object focused. Dust particles, logo edge construction and glass curvature should remain readable. No macro blur. No bokeh. No artificially blurred edges. Softness comes only from: - frosted glass diffusion; - internal haze; - restrained optical bloom; - subtle filmic rolloff. ## RENDER CHARACTER Physically coherent high-end optical CGI with the character of experimental industrial-design product photography. The render should feel slightly analog rather than digitally sterile. Use: - physically plausible optical depth; - realistic translucent absorption; - restrained Fresnel; - subtle dust; - microscopic imperfections; - controlled reflection architecture; - fine highlight rolloff; - extremely restrained bloom; - subtle film grain. Avoid hyper-clean app-store icon aesthetics. ## HARD NEGATIVE CONSTRAINTS No changing body scale between brands. No changing body position. No changing camera distance. No brand-dependent zoom. No convex face. No raised pillow face. No bulging center. No inner rounded-square bezel. No separate front panel. No border around the recessed region. No second shell. No stacked acrylic layers. No opaque glossy plastic. No candy-plastic appearance. No completely transparent crystal. No empty logo hole. No simple carved logo. No printed logo. No glass logo made from the same material. No oversized logo extrusion. No thick metallic logo outline. No chrome contour. No unrelated colored highlights. No blue light unless [MATERIAL COLOR] contains blue. No violet light unless [MATERIAL COLOR] contains violet. No cyan rim unless explicitly contained in [MATERIAL COLOR]. No RGB. No rainbow. No holographic dispersion. No neon perimeter. No LED strips. No uniform glowing outline. No heavy bloom. No extra object. No pedestal. No cast shadow. No text. ## FINAL LOCKED PRIORITY If any instruction conflicts, preserve this hierarchy: 1. authentic [BRAND NAME] standalone geometry; 2. exact same 9:16 composition across every generation; 3. outer glass body always ≈60% of canvas width, centered at X 50% / Y 52%; 4. fixed near-square body proportions and fixed camera distance; 5. logo always scaled inside the same ≈43% body-width bounding area; 6. ONE continuous thick optical body; 7. subtle broad SHALLOW CONCAVE front face; 8. absolutely NO bezel or internal rounded-square frame; 9. softly frosted translucent [MATERIAL COLOR] face; 10. more polished outer curvature; 11. microscopic dust and optical grain; 12. dominant neutral-white upper-left reflection; 13. broad soft white frontal reflection; 14. darker camera-right side; 15. lower-edge optical accumulation derived ONLY from [MATERIAL COLOR]; 16. separate darker reflective brand inlay with microscopic polished lip, micro-bevel and precision seam. The entire series must look like the SAME physical master object photographed with the SAME locked studio rig, with only the authentic brand symbol, material color and background color changed.