동아시아 전시 포스터 - 코너 타이포그래피

【主题】：____ 【四字中文标题】：____ 【英文标题】：____ 【核心主体】：____ 【主体表现方式】：摄影 / 插画 / 版画 / 拼贴 / 混合媒介 【辅助纹样】：____ 【主色调】：____ 【点缀色】：____ 【日期 / 机构 / 辅助信息】：____ 【画面比例】：9:16 Generate a poster with a mature cultural exhibition and editorial design sensibility, using a "corner-weighted composition." The core visual is composed of a strong subject, oversized Chinese typography, edge information, and negative space - making the text not merely a title but the actual boundary and structural framework of the image. The subject occupies approximately 45%–60% of the frame, remains complete with a clear silhouette and visual weight, and is not deliberately distorted or fragmented for compositional purposes. Choose real photography, printmaking, illustration, or mixed media based on the theme, and ensure the subject itself possesses sufficient recognizability and artistic presence. Distribute the【四字中文标题】across the four corners or edges of the frame, but do not make the four characters equal in size, evenly spaced, or perfectly symmetrical. Select 1–2 characters as the primary pressure points, significantly enlarge them, and allow them to be partially cropped out of the frame; the remaining characters serve as secondary responses. Allow genuine interpenetration between the subject and the large characters - for example, figures, animals, objects, waves, branches, or sleeves passing in front of and behind the glyphs, so that "the characters sit behind the subject, and the subject grows out of the characters," creating a rich sense of foreground-background spatial depth. The English title, date, institution, and descriptive text are concentrated in 2–3 edge zones, mixing horizontal, vertical, and extremely small type sizes. Create strong typographic contrast through oversized Chinese, medium-sized English, and minuscule information text. Do not arrange all small text into neat columns, and do not scatter it evenly across the image. The entire image uses only one set of auxiliary motifs directly related to the theme - for example, drumbeat radial patterns for a mask theme, angular or botanical line drawings for a mountain/wilderness theme, wave patterns for an ocean theme, or wind lines for a scenery theme. Auxiliary motifs may be repeated, enlarged, cropped at edges, or faded, but do not introduce multiple unrelated decorative systems simultaneously. The background cannot be completely blank. Add extremely faint paper texture, print grain, thematic line drawings, pattern remnants, or archival information so that the negative space "has content," while the subject remains clearly legible from a distance. Restrict the color palette to 3–4 primary colors with a clear chromatic stance. Ensure sufficient contrast among the subject, oversized characters, and background, while avoiding excessive color competition. The overall reading order must be clear: First glance: the strong subject and oversized corner-weighted characters; Second glance: the occlusion, interpenetration, and irregular relationships between subject and characters; Third glance: the English text, date, and auxiliary information. Target effect: East Asian cultural exhibition poster, editorial design, art publication sensibility - information-rich but not chaotic, with large characters, subject, and negative space interlocking, pressure at the edges and focus at the center. Even with all small text removed, the image should still stand as a complete and self-sufficient visual work.