중국 시적 예술 포스터 프롬프트

Create a 9:16 vertical oriental poetic negative-space art poster, transforming the [core emotion] from the [original poem line] into a visible emotional state. Use pure white or slightly cool-toned premium handmade art paper as the background, preserving real paper fibers, pulp particles, and natural creases. Maintain approximately 65%–75% effective negative space; the main subject should not be oversized - the [small subject] is recommended to occupy only about 8%–20% of the frame, allowing the blank space itself to participate in expressing distance, waiting, memory, and a sense of incompletion. Do not directly replicate the full scene from the poem line. Instead, choose one small, distinct object as the emotional anchor, then express the emotional state through color shifts, fading, accumulation, afterimages, or motion trails. Add low-contrast, shallow [embossed texture] related to the theme into the background. The embossing must not be merely decorative - it should convey traces of what once existed, is changing, or has not yet arrived, such as a gradually rising old waterline, repeated misaligned butterfly wings, faded flower shadows, wing marks left after flight, or wind lines extending into the distance. From afar, the image stays clean; up close, hidden information emerges. Use the [primary color system] - colors can be vivid, beautiful, and emotionally charged; do not resort to all-black-and-white simply because the theme is melancholic. Colors should naturally shift in intensity, fade, become transparent, or disperse according to distance, time, or state. All water lines, silk threads, wind lines, rain streaks, and motion trails must be continuous, soft, and natural - avoid heavy fragmentation, broken dashes, or chaotic AI textures. A tiny human figure may be included, but not necessarily in every piece. Figures should only establish scale and emotion - no crying, no theatrical gestures. Figures may also be omitted entirely, allowing flowers, rain, butterflies, birds, or other small subjects to carry the narrative independently. The Chinese main title uses a [two-character theme], set in a modern Song typeface, Ming-style typeface, or an editorial-feeling Chinese serif font. Design interest may be added through letter-spacing, subtle misalignment, thin rules, or partial extensions, but the characters must remain complete, accurate, and legible. Add small-size poem lines, location, date, and a brief English title as well. The overall effect should read as a fusion of classical poetic emotion, paper material experimentation, bas-relief art, and modern editorial design: clean with negative space at first glance, the subject revealed at second glance, and the "unfinished" traces discovered only up close.