ASCII 하프톤 여행 콜라주 포스터

Please transform each travel photo I upload into an independent "ASCII HALFTONE TRAVEL COLLAGE" high-contrast poster. Do not combine multiple images - output each photo separately. Use a vertical composition divided into two zones, upper and lower. The two zones should be close to a 1:1 ratio, separated by a clear, straight horizontal boundary. [UPPER SECTION | ORIGINAL PHOTOGRAPHY] The upper section retains the original photo. Accurately preserve the identity of people, architectural structures, vehicle forms, natural landscapes, spatial relationships, camera angles, light direction, and color atmosphere in the original image. Do not redraw, replace, stretch, or distort the main subjects. Apply only subtle high-end photographic color grading to give the photo the quality of an independent magazine, travel publication, or exhibition photograph. To fit the layout, you may naturally extend the sky, road, wall, or environmental background, but must not alter the original subjects. [LOWER SECTION | CHARACTER HALFTONE COLLAGE] Extract the single most recognizable core visual subject from the photo, such as: A landmark building, architectural detail, arch, colonnade, vehicle, sculpture, boat, human pose, street object, or natural landscape silhouette. Do not replicate the original composition in full, and do not apply an ASCII filter directly over the entire photo. Recrop, enlarge, shrink, or alter the local proportions of the subject. Reorganize the image using torn photographic fragments, black photocopy halftones, monospaced ASCII characters, overprint lines, registration marks, and paper whites. Let some areas of the subject retain a real photographic texture, while other areas gradually transform into tonal density built from the following characters: . : / | + = # @ Characters should follow the volume, shading, contour, or direction of motion of the subject, so they genuinely participate in shaping the form rather than acting as meaningless code background. Add black halftone dots of varying thickness, photocopy grain, localized ink loss, slight misregistration, torn white paper fibers, and a few measurement lines. You may include one restrained calibration red line, block, or registration mark, but must not use red over large areas. Keep approximately 25% to 40% of the lower section as continuous off-white or warm gray paper whites, allowing the photographic fragments, character zones, and halftone dots to breathe. Extract the color palette from the original photo. Keep the colors most representative of the place or subject, but reduce overall saturation and unify them with warm gray paper tones, black ink, and a small amount of calibration red. [TEXT SYSTEM] Based on the location, subject, or on-site condition of the photo, distill: 1. A short, clear English main title; 2. An archive number, such as "REC. STUDY 01"; 3. A brief English observation text. The text must carry real meaning and remain clearly legible. Do not generate gibberish or meaningless code. The main title should use a more prominent monospaced typewriter font. The number and observation text may be smaller, but must not shrink into unreadable decoration. Text should align naturally along whitespace, torn paper edges, halftone structures, or calibration lines, as if it is part of the image. The overall look should evoke independent publications, experimental photobooks, analog photocopy archives, and travel observation records: calm, rough, restrained, intelligent, while retaining the real warmth of the travel scene. Avoid black terminal interfaces, computer code windows, cyberpunk neon, full-screen characters, whole-image ASCII filters, random logos, gibberish, text too small to read, pure black backgrounds, templated layouts, and cheap glitch effects.