건축 현장 플레이트 에디터

For each architectural travel photo you upload, create one standalone "architectural observation plate" poster. No multi-image collage - each photo is output separately. Use a 3:4 vertical composition, divided into two clearly defined zones. The upper zone occupies about 45% of the frame and faithfully preserves the original photo. Keep the building's true structure, viewing angle, perspective direction, facade proportions, roofline, rhythm of arches, natural light, and original colors. Apply only subtle color grading typical of architectural magazines and exhibition photography. Do not turn the photographic area into an illustration, do not alter the building's identity, and do not add structures that do not exist. The lower zone occupies about 55% of the frame and uses warm white archival paper as the background, reworking the same building into a restrained, refined architectural observation plate. Depict the building with fine pen, graphite pencil, and a very small amount of transparent color. Preserve the building's most recognizable overall silhouette, facade layering, main perspective axes, roof, tower body, dome, arches, and window grid rhythm. Do not redraw the full composition in exact proportion to the original photo. Reorganize the subject into a main architectural study drawing that is centered or slightly lower, occupying about 48% - 68% of the lower zone's width, with generous continuous paper white around it. Extract 2 - 4 real, visible architectural details from the same photo and render them as small detail studies, such as: - Arched windows or doorways - Dome rib lines - Roof seams - Carved ornamentation - Column capitals or cornices - Glass structure grids - Repeated facade units Use sparse fine leader lines, short measurement ticks, alignment lines, and structural arrows to connect the detail studies to the main building. All details must come from the original photo. Do not invent building interiors, sectional structures, false dimensions, coordinates, dates, or heights. Colors are extracted entirely from the original photo. Use at most three low-saturation colors plus black-gray linework. Color is used only to emphasize key materials and structure, such as stone, patinated copper roofs, brick-red tile surfaces, or glass. Do not fill the entire drawing with color. Keep large areas of continuous white space in the lower zone and add the following three layers of text: 1. A clearly legible building name or a 1 - 3 word English title; 2. A plate number such as "FIELD PLATE 01"; 3. A short observation sentence of 5 - 12 English words describing a structure, color, or spatial rhythm actually visible in the photo. Use architectural office archival typefaces, restrained serifs, or wide-tracked sans-serifs, arranged along the plate grid and leader lines. Text must be clearly legible but must not form a dense annotation block. The overall feel is that of an architectural travel notebook, a field survey sketchbook, an architectural office archive, and an independent publication. The paper shows subtle fiber texture and pencil erasure marks, and the linework has clear weight variation. Avoid fully filled architectural illustrations, CAD blueprint interfaces, dense annotations, fabricated dimensions, random structural diagrams, re-rendered material swaps with the same crop as the original photo, photographic lower halves, author names, logos, watermarks, fake Chinese text, and garbled characters.