Japanese Summer Festival Romance Film Prompt

Use @Image 1 and @Image 2 as the SAME ONE woman - exactly one woman exists in this film. @Image 1 defines her exact face, eyes and identity, plus her daytime look: black hair low at the nape and her casual outfit. @Image 2 defines the very same woman's evening festival look: her hair pinned up and her yukata. Never render her as two different people and never show her twice in one frame. Use @Image 3 as the man's exact face, eyes, hair, identity and outfit. Two different people total, both faces unchanged throughout. Do not use the white studio background from any reference - only faces, hair and outfits. WARDROBE - time rule. The woman: from 0 to 15 seconds she wears exactly the daytime outfit of @Image 1 - white scallop-collar cotton blouse with shell buttons, high-waisted wheat-beige buttoned A-line short skirt, lace-trimmed white ankle socks, white canvas sneakers, small woven straw shoulder bag, hair low at the nape with a cherry-red ribbon. From 16 seconds to the end she wears exactly the festival look of @Image 2 - ivory yukata with indigo morning glories, deep indigo obi with a thin coral cord, hair up in a soft chignon with a small flower kanzashi, dark geta - and keeps it to the end. She is never shown changing clothes; the change happens off screen. The man wears one outfit the whole film, exactly as in @Image 3: fitted ecru ribbed sleeveless tank showing his shoulders and arms, an open deep-indigo camp-collar short-sleeve shirt worn fully unbuttoned the entire time - never buttoned, never removed - high-waisted washed-black pleated wide trousers, steel watch, brown suede loafers. No bag today. Japanese only. Nine lines are spoken out loud with visible lip movement - in each, only the speaker's mouth moves while the other's lips stay closed. Five lines are the woman's inner voice-over: her lips stay closed and still, no mouth moves anywhere in frame. Voices soft, young and natural, never theatrical; his delivery is always calm and plain, never smug. STYLE: Crisp, airy Japanese late-summer film-photograph look on real locations - a first-crush romance, light and breathless, never heavy. Clean bright light with soft blown highlights in the afternoon; fresh blue hour; deep clear night at the river with warm lantern glow and firework light on the faces. A light breeze is always present - loose hair strands, the noren, the yukata sleeves all stirring gently. Film grain, gentle halation on the lanterns, handheld drift, candid and slightly imperfect throughout. No timestamp, date stamp, UI, subtitles, text or watermark. Setting: a small-town Japanese festival day at summer's end. An old wooden kissaten cafe with a big open window seat, two glasses of clear fizzy soda with ice and a lemon slice, a small wind chime at the eaves, a slow ceiling fan; a tiny family eatery behind a plain indigo noren with a wooden counter and simple dishes; a festival street of food stalls under rows of plain glowing paper lanterns, among them a shaved-ice stall; a dark grass slope on the riverbank where fireworks rise over the water and mirror on it, a cool breeze coming off the river; scattered unnamed festival-goers of different builds and clothes, always soft-focus background, never near the two leads. No readable writing anywhere. Sound: no added music of any kind - every sound comes from inside the scene. The only music-like sound is a real festival drum and flute drifting faintly from the far stalls once the street appears, always distant. Cafe: fizzing soda, ice clinking, one soft ring of the wind chime, evening cicadas outside. Eatery: chopsticks, faint kitchen sounds. Street: crowd murmur, geta clacking on stone, shaved ice being scraped. River: wind over the grass, a thin rising firework whistle, then a delayed deep boom rolling across the water, the crowd's far-off "oh". The film ends on the boom of the biggest burst.