Isometric 3D Poster Creation from Photos

Please create each uploaded photo into an independent high-end design poster, no multi-image collage, each photo output separately. Overall use 3:4 vertical composition, with upper and lower areas strictly 1:1, each occupying 50% of the canvas. Upper half: preserve the original photo, maintaining subject structure, realistic texture, natural lighting, and original color atmosphere, only apply subtle high-end photographic color grading to give it an artistic magazine, independent publication, and exhibition photography feel. To fit the canvas, naturally extend sky, ground, or environment background, but do not stretch, distort, or alter the subject. Lower half: extract the most recognizable subject, silhouette, pose, and narrative relationship from the photo, reconstruct it as a refined thick-paint miniature diorama using isometric/axonometric 3D spatial logic. The subject is not a flat illustration but a three-dimensional miniature solid with clear volume, structure, front-back relations, and stable footing; retain the original object's key identity features, adjust the view and proportions as needed to make it more complete, clear, and sculptural in the unified axonometric space. The subject sits on a block of thick-paint color field. The color block is not a plain rectangular background but should be transformed from the original image content into water, ground, road, grass, light strips, shoreline, shadows, or other theme-related spatial slices, extending naturally along the isometric perspective. The subject must have a real spatial relationship with the color block, allowing for landing, embedding, crossing, extending, reflection, ripples, projection, or partial boundary crossing, so the 2D thick-paint strokes connect with the 3D subject. Composition adapts to the subject's mass, orientation, and motion direction, using diagonal axonometric, stable center of gravity, front-back depth, and generous negative space to establish professional spatial order. The subject is usually placed at a key node of the color block rather than mechanically centered, with the color block guiding the eye and perspective; if needed, add a low-weight set of clouds, sun, plants, ripples, or abstract natural elements for front-back layering, but do not create a second visual center. Painting style: a fusion of miniature model, thick oil paint, and real paper. The subject is detailed and clear in volume, while the surrounding environment retains visible palette knife marks, thick paint accumulation, textured edges, and hand-painted strokes; clouds, water, ground, and light can have a near-sculpted oil paint thickness, giving the image a tactile illusion of a real model standing on still-wet oil paint. Color: extract the brightest, most vivid, most representative colors from the upper photo and re-tune them, increasing brightness, purity, and vitality, with generous clean warm white as breathing space, paired with transparent primary colors and a few sunlight-like warm accents. Overall bright, healing, vivid, and high-end, avoiding gray, dull, muddy, fluorescent, or cheap candy colors. Text: minimal intervention, distill a short title from the photo's subject, place, mood, or symbolism, with a few supporting words, numbers, or micro-notes. Keep layout refined and restrained, aligned with the axonometric direction, thick-paint block edges, or negative space, harmonizing with the spatial perspective rather than being a sticker on the canvas. Overall: isometric dimensional subject, thick-paint color field, bright healing palette, real paper, and large negative space. Whether the subject is architecture, people, animals, plants, objects, vehicles, or natural scenery, the 3D subject must truly 'stand, grow, or exist' within the thick-paint space, avoiding flat collage, generic illustration, plastic CG, toy model, or templated miniature feel.