Hyper-realistic conceptual photograph of woman inside film negative

Hyper-realistic conceptual photograph, vertical 4:5. A beautiful young woman with faithful facial features, soft skin texture, natural anatomy and proportions, appears as if the camera is positioned inside a suspended photographic film negative. From the translucent interior of the negative we see her in a creative studio, holding her own strip of film up to the light. The side perforations, slight curvature of the acetate and floating dust particles appear softly out of focus near the lens, acting as a physical frame. Her face emerges partly in the real world and partly crossed by the image registered on the negative, while keeping identity, anatomy and proportions coherent. Build five clear planes: the surface of the negative itself; her fingers gripping the film; her face interacting with the material; a wooden table scattered with photographs, loupes, papers and pencils; and an off-white wall in the background. 35 mm lens. Hard lateral sunlight, warm fill light bouncing from the table, a single real shadow of her fingers cast across the film, and one thin orange line crossing the composition. Preserve paper fibers, micro-scratches, handling marks, accurate optical reflections and true skin texture. The transition between negative and reality must feel physical and seamless.