High-End Design Poster with Minimalist Lower Composition

Create a separate high-end design poster. The overall composition is 3:4 vertical, with the upper and lower regions strictly 1:1 in height, occupying 50% of the screen. The upper part retains the original photo, maintaining the subject's identity, structure, posture, real texture, natural lighting, and original color atmosphere, with only slight high-end color grading, giving it the image quality of an art magazine and exhibition image. The size is adapted to the screen, allowing for a natural expansion of the background, but it cannot be stretched, distorted, or changed from the subject. The lower part is re-evaluated for artistic judgment, only extracting the most recognizable subject, contour, structure, posture, and narrative relationship in the photo. Do not copy the entire photo, leaving out irrelevant background and secondary objects, but rather removing most of the information, leaving only the structure that best represents the original, the visual memory points, and then creating a new work with minimalistic lines + geometric color blocks + positive and negative white + frame overlap, making it easy to recognize the corresponding relationship with the upper photo at first glance, but obviously not a simple retouch. Line drawing uses a fine, clear, restrained vector structure line, summarizing the subject with a small amount of necessary contours and internal lines; a rule geometric color block as a visual anchor, the subject appears as a color block when entering the color block, and changes to line drawing or solid color solid shape after leaving the color block. It allows the subject to partially, fully, or partially cover or cut off geometric boundaries, creating space and dynamics through frame-breaking relationships. A small amount of stars, dotted lines, or small geometric symbols can be added, but only used to balance the image.