Fisherman Character Production Reference Sheet

Render a 16:9 character production reference sheet according to the following specification. Every field describes the finished sheet. SHEET: layout: two-figure production reference sheet on one seamless ground - dominant full-length standing figure occupying the left half head to boots, and one large cinematic head-and-shoulders close-up filling the right half; both figures share the same ground with soft contact shadow under the boots; the grey ground stays bare and empty around them, imagery only aspect: 16:9 horizontal, 4K MEDIUM: stock: 65mm large-format film photograph on Eastman Color negative, analog film response artifact: fine natural grain across the entire sheet with subtle halation on specular highlights note: both figures are photographed frames of the same living actor, same stock and same grain structure SUBJECTS: subject_1: description: Caucasian man of 22, height 179 cm, lean wiry build around 68 kg, narrow hips and square working shoulders carried slightly high; long oval face with a straight nose and a jaw still soft at the corners, wide-set warm hazel eyes under low straight brows, thick dark lashes, a full lower lip and a thinner upper one that lifts a fraction at rest; deep Florida tan running to the collarbone and stopping in a hard pale line at the neckline, with a paler band across the upper forehead where a cap sits daily; a spray of sun freckles across the nose bridge and both cheekbones, a fine white scar 3 cm long across the left forearm, salt-cracked skin on the knuckles of both hands, short nails with dark grime worked into the beds, a pale rope-burn callus across the right palm; dark brown hair sun-bleached to bronze at the tips, cut short at the sides and left thick on top, pushed back damp off the forehead with two strands falling loose; sparse soft stubble along the jaw and above the lip, not yet a full beard; a small silver Saint Christopher medal on a thin chain sitting at the hollow of the throat. high detail, bright skin, natural skin texture and realistic gloss, natural glow, skin grain, soft matte finish, every pore, freckle and fine line retained. asymmetry_mapping: left brow sits a fraction lower and straighter than the right, the right mouth corner lifts marginally higher at rest, the nose bridge deviates slightly to the right, and the left shoulder rides a touch higher from years of hauling on one side wardrobe: white cotton crew-neck undershirt gone translucent grey at the chest and yellowed under the arms, tucked loose into faded olive canvas work trousers held by a cracked brown leather belt with a plain brass buckle; a heavy oilskin slicker in dulled mustard yellow worn open over it, its shoulders and sleeves darkened with water, collar turned up on one side; black rubber deck boots folded down at the calf, scuffed pale at the toe prop: a short fish knife in a stitched leather sheath riding on the right hip; a coil of tarred manila line hanging from the left hand; a soft-crown canvas work cap in faded navy held crushed in the right fist mood: open and unguarded under a working man's tiredness - chin level, mouth slightly parted, eyes holding the lens a beat longer than is comfortable SCENE: backdrop: neutral mid-grey #6E6E70 seamless studio ground, evenly lit, with a soft contact shadow pooling under the boots - identical for both figures LIGHT: key: large diffused 5000K softbox from front-upper-left at 45°, soft-edged, modelling the cheekbones and the folds of the slicker fill: broad white bounce at a 2:1 ratio from camera-right, both sides of the face and the oilskin texture staying legible rim: narrow cool edge along the right shoulder and the crown of the head, lifting the figure clear of the grey ground falloff: gradual, the light carrying evenly from head to boots with no drop across the figure motivated_by: a standing studio softbox with a bounce card opposite, the practical setup of a production reference session atmosphere: clean dry studio air, fully transparent material_response: cotton undershirt reading soft and slightly translucent where it stretches, oilskin returning a broad low sheen with hard speculars on the wet patches, rubber boots giving a dull matte return, the silver medal and brass buckle catching small hard points, sun-tanned skin holding a fine sebaceous highlight across the nose and forehead integration: contact shadow tight under the soles, faint grey bounce along the underside of the jaw, twin catchlights in both eyes, slicker edge cleanly separated from the backdrop LOOK: color_grading: neutral studio grade drawn from the grey ground and the mustard oilskin - filmic contrast with shadows holding a faint cool blue, midtones warm and open on the tanned skin, highlights rolling off softly on the wet slicker and the medal, saturation medium with the yellow slicker carrying as the one strong hue authenticity: 85mm at f/5.6 - the full figure sharp from bleached hair tips to boot sole, cotton weave, oilskin grain and skin pores all resolving, gentle background compression against the seamless ground, fine film grain over the whole sheet style: 65mm large-format film still, Eastman Color negative, fine natural film grain, subtle halation, late-1950s photographic finish FIGURE_VIEWS: hero: {azimuth: 10° front rotation camera-left, framing: full-length head to boots, scale: dominant, occupying the left half of the sheet, note: standing with weight on the left leg, right shoulder dropped under the coil of line hanging from the left hand, canvas cap crushed in the right fist at his side, slicker hanging open, chin level, gaze held straight into the lens} closeup: {azimuth: three-quarter 30° camera-right, framing: large head-and-shoulders close-up filling the right half of the sheet, scale: face reproduced far larger than the hero figure, note: eye-level lens, turned collar of the slicker and the silver medal visible at the base of frame, freckles across nose and cheekbones fully readable, damp hair pushed back with two loose strands at the temple, lips barely parted} CONSISTENCY_LOCK: both figures are the same man - identical facial geometry, warm hazel eyes, freckle pattern across nose and cheekbones, hairline, ear shape, the 3 cm scar on the left forearm, the tan line at the neck, and the same micro-asymmetry. Identical wardrobe down to the same water-darkened slicker shoulders, the same silver Saint Christopher medal at the throat and the same knife sheath on the right hip. Same grey seamless ground, same light recipe, same film stock, same grain structure and the same 85mm optics on both figures.