Póster de Memoria de Tinta con Bordes Rasgados a partir de Fotos de Viajes

Please create a torn-edge memory poster for each travel photo I upload, one photo per poster, with no multi-photo collages. Use a vertical 3:4 format and a three-stage fading structure: "real photograph → observational line drawing → ink silhouette." The top section should occupy about 28%–36% of the frame height and faithfully preserve the most important scene from the original photo. Keep the subject's identity, quantity, pose, orientation, spacing, architectural structure, vehicles, animals, human actions, real materials, spatial direction, natural lighting and shadows, and signature colors accurate. Only apply light artistic publication color grading. The photo must remain clearly recognizable - do not turn it into an illustration or a decorative thumbnail. Connect the top photo to the paper below with a clearly visible handmade torn-paper edge: real paper fibers, irregular bumps and dents, and slight thickness. Do not use digital blur, feathering, or soft gradient transitions. The middle section uses warm ivory, unbleached cotton paper, or light beige coarse paper, and should be the most spacious area for observation. Redraw the same subject with unstable pen lines, short hatching strokes, dry ink, and a small amount of gray wash. Preserve the quantity, pose, and relative position accurately, but deliberately remove background clutter and tiny details. Choose one vertical memory anchor from the photo - such as a tree trunk, lighthouse, bridge cable, building edge, ship side, mountain crack, or vehicle outline - and keep the line drawing concentrated in a narrow vertical band rather than filling the whole page. Do not auto-trace the photo. The bottom section lets the scene dissolve further into pale gray-brown, blue-gray, or olive-black ink masses, uneven water marks, dry brush grain, thin broken lines, and one or two restrained ink drips. The subject should shrink into a small group of dark silhouettes, still keeping the correct quantity and direction, resting on a single horizontal ink stroke whose color is extracted from the original photo. Use only one accent color, and it does not have to be orange. Information density must decrease from top to bottom: the photo is the densest, the line drawing is lighter, and the bottom silhouettes are the sparsest. Leave continuous, obvious breathing space around the subject in the middle section, and let the ink masses enter incompletely from one side or the lower edge - never enclosing the frame on all four sides. In the middle section's white space, add a 1–3 word English title, a "MEMORY NO. 01" style label, and one line of 5–10 English words as an observation note. Use readable typewriter bold, monospace, or uppercase letterpress with broken ink. Secondary text should be smaller but must not fade into gray. All text must come from the photo's subject, action, weather, or spatial relationships - do not copy the author's words or invent research data. The overall result should feel like a page torn from a travel archive - restrained, poetic, with real paper fiber, dry ink, and a sense of time. Strictly avoid: hard straight top/bottom dividers, generic half-photo half-sketch templates, digital soft transitions, unrelated decorative illustrations below, full-page watercolor washes, traditional Chinese ink landscape imitation, cute cartoon styles, fine animal or botanical illustration, auto-tracing, dense technical diagrams, oversized titles dominating the frame, multiple accent colors, author names, signatures, account handles, logos, URLs, watermarks, or garbled text.