Thangka Deidad Airada Manifestación Jiangshi

A late-Qing dynasty jiangshi figure seated rigidly in darkness, preserving its original stiff seated posture, dangling withered clawed hands, layered coin-chain veil covering nose and mouth, rolled-back milky-white deceased eyes, and every detail of the decaying gold-embroidered official robe - yet its overall presence transforms from 'a suppressed vengeful spirit' into 'a manifested wrathful deity'; behind the head emerges the iconic jñāna-agni (wisdom-fire) halo of Thangka wrathful deities, replacing the original gentle mandala - layered flame motifs curling outward, indigo-blue as the base tone with cinnabar-red flame tips, rendered in the same hairline-thin precise filigree, echoing the roiling wisdom-flames of a wrathful deity's backlight, solemn yet oppressive; mandala geometric structure remains faintly visible woven through the flame patterns, dark-gold threadlike lines running through the flame contours like meridians, symbolizing the unity of horror and sanctity; the lantern's script transforms into the wrathful deity's heart-mantra seed-syllables in Tibetan script, rendered in gold and red, the lantern paper emanating a warm amber glow reminiscent of mandala butter lamps, forming a solemn cold-warm confrontation against the indigo flame halo; the golden thread-clouds seeping from the robe's folds transform into offering-clouds and ritual cords encircling the wrathful deity's ritual implements, golden threads coiling around the corpse's body like ceremonial tassels and bone ornaments, lending it the solemn iconography of a wrathful manifestation; the corpse's withered claw gesture remains unchanged, but its presence shifts from eerie dread to sacred menace - a silent, dharma-protector-like dominance gazing over all beings, the rolled-back eyes imbued with a divine gaze that transcends death; background remains pure void-black, with indigo and cinnabar flame-light flickering faintly like a mandala mural emerging from darkness, interweaving with dark-gold mandala meridian lines into a solemn fusion aesthetic of 'a wrathful Thangka deity manifesting through a late-Qing zombie vessel'; preserve the figure's original deathly rigid posture and decayed robe texture, while elevating the overall atmosphere from pure horror to a coexistence of religious dread and sacred awe; vertical composition, aspect ratio 9:16.