Creación de póster de terreno con tarjetas de papel suspendidas

I will create one standalone premium design poster for each travel photo I upload, with one photo corresponding to one finished piece, and never combine multiple photos into a single frame. The overall format is a 3:4 vertical composition. The frame is divided into a clearly separated photographic zone and a paper-craft redrawn zone, with a straight, clean, and restrained horizontal boundary between them - no soft blending, torn seepage, or material overlap. The upper photographic zone occupies approximately 45% - 50% of the full frame. It faithfully preserves the identity, quantity, pose, direction, architectural structure, terrain relationships, viewing angle, authentic materials, natural lighting, and original color atmosphere of the source photo. Only light travel-magazine, independent-publication, or gallery-grade color grading is applied, along with an extremely thin layer of film grain. The upper zone must remain a clearly recognizable real photograph - it must not be turned into an illustration, and the subject must not be moved, replaced, mirrored, stretched, or redesigned. The lower zone occupies approximately 50% - 55% and rebuilds the same scene as "SUSPENDED PAPER CARD TERRAIN" - a miniature suspended paper-card terrain. On a warm off-white matte paper surface, a single small, open-form handmade paper card or terrain slice is suspended. The card occupies about 35% - 50% of the lower zone, positioned at the center, lower-center, or slightly offset depending on the subject's direction; approximately 40% - 60% of continuous blank paper remains around it. An extremely thin vertical suspension thread, paper pin, or nearly invisible hanging point connects the card. The thread may exist only within the lower paper-craft zone and must not enter the upper photograph. The card is not a flat printed landscape. The core subject, road, track, waterfront, ridge, bridge, or steps from the photo should grow out of the card's own cut slots, folded paper surfaces, and shallow relief layers. From the original photo, extract only: - One most recognizable subject or landmark; - One spatial cue that determines the scene's narrative; - Two to three necessary terrain layers; - A small amount of plant, wave, vehicle, or figure fragments as scale hints. Actively delete, merge, and shrink complex environments - do not replicate the entire photo at equal scale. Use two to three thin paper layers, continuous narrow cuts, shallow embossing, natural paper fibers, slight curled corners, open paper edges, and restrained short shadows to express structure. The paper-craft subject must retain the most critical silhouette, direction, relative position, and signature colors from the original photo, so viewers can still identify the place at a glance. Extract 4 - 7 colors from the photo and soften them; the off-white paper carries the majority of the area, with only one most recognizable accent color retained. Within the continuous blank space outside the paper card, add: - An accurate title of 1 - 3 English words; - A "CARD NO. 01" style number; - One short observation line of 5 - 10 English words. All text must be finalized word-for-word in advance. Use shallow debossed impressions, letterpress, narrow serif, or restrained sans-serif typefaces, as if crafted together with the card on a collector's page. The main title must remain clearly legible at chat-preview size; secondary text may be smaller but must not shrink into a blurred gray line. The overall mood is light, quiet, poetic, and restrained - like a travel memory collected on paper by a fine thread. The poetry comes from scale, whitespace, paper, and a gentle sense of gravity, not from fairy-tale characters or complex decoration. Avoid: circular mini-planets, fairy-tale asteroids, generic floating islands, fully realistic dioramas, thick foam boards, plastic toys, glossy 3D, heavy shadows, dense paper-cut foliage, busy journal collages, re-rendering the entire photo with a different material, equal-scale redrawing of the same framing, missing original photos, photos reduced to decorative thumbnails, blurred boundaries, threads crossing through the photo, author names, book titles, quotes, logos, brands, URLs, watermarks, garbled text, and extra wording.