Prompt de video de animación de oficina surrealista

Create a 10-second, 9:16 vertical, cinematic surreal animation video, strictly referencing the "office on paper" image as the first frame and visual foundation. The scene is a large white spiral notebook placed on a wooden table, with a black-and-white pencil-drawn office world on the paper, where a realistic miniature young man interacts with these hand-drawn elements. Important rule: Only 1 real person is allowed in each shot, and never two or more real people at the same time. Through smooth camera movement, close-up framing, occlusion transitions, and area switching, sequentially showcase all major events across the entire image. Hand-drawn characters and hand-drawn objects can coexist. Follow this order to present the complete events, with natural transitions between shots, overall continuous flow, like a camera traveling through a sketchbook that comes to life: The shot begins with a close-up of the notebook paper, first focusing on the man being blown around by papers from a large fan. The giant pencil-line fan spins at high speed, paper sheets flutter in the air, and this man is half-buried in a pile of papers, struggling in panic, waving his hands, dodging flying documents, with his hair and shirt blown by the wind. A flying paper passes in front of the camera as a transition, cutting to the man climbing a mountain of files. He climbs up a towering stack of paper files, the papers under his feet slightly sliding, file edges trembling, creating an exaggerated yet realistic miniature office disaster feel. The camera moves down along the file edge, shifting to the man sitting in an office chair typing on a giant keyboard. He types rapidly, each key of the pencil-line keyboard sinks and rebounds when touched by his fingers, with the line-drawn mouse resting nearby, and the camera briefly lingers on the typing action and keyboard details. The camera pans from the keyboard, entering the scene of the man trying to calm an angry coffee cup. The giant cartoon coffee cup has an exaggerated expression, steam rising from the rim with slight vibration, coffee liquid splashing and shaking, and the man extends both hands to carefully soothe it, with a tense yet helpless look on his face. The camera follows the splashed coffee downward, cutting to the man sliding down a chart paper roll. He slides down a huge paper chart roll like a slide, hands raised, expression exaggerated, with chart lines and grids passing by in front of the camera. The camera connects along the chart end, moving to the man balancing on a giant ruler. He spreads his arms and carefully walks across a line-drawn ruler above the INBOX tray, with envelopes and files piled below in the INBOX, and the ruler slightly wobbling. The camera continues downward to the man giving a presentation. He stands in front of a whiteboard explaining the "Q3 PLAN" chart, gesturing to hand-drawn office audience members. The audience consists entirely of pencil-drawn little figures, some confused, some attentive, some dozing off. The camera focuses on the contrast and interaction between this real presenter and the hand-drawn audience. Finally, the camera pushes in to the man lifting the paper page. He crouches down, grabs the corner of the paper, and slowly lifts an entire notebook page. The paper bends, shadows deepen, and beneath it reveals a hidden hand-drawn meeting room space, with sticky-note little figures sitting around in a meeting, and text like "MEETING 10:00" visible nearby. Once the hidden space is revealed, the little characters inside look up, wave, and continue the meeting. The shot ends with this hidden world. Overall requirements: realistic camera movement, macro cinematic feel, smooth transitions, natural character actions, realistic paper physics, fine pencil texture, realistic shadows, shallow depth of field, light absurd comedy tone. Seamless fusion of 2D pencil sketches with 3D real people, high-quality photorealistic AI video. Prohibited items: No multiple real people in the same frame, no split screen, no cloning of people, no collapse of the notebook structure, no abrupt scene changes.