Página de muestra de espacio negativo en espuma de mar

Applies to any real photograph, not limited to ocean, fish, or nature subjects. Translates the input image into a split-frame composition with a "specimen page" quality. The upper half preserves the authentic photographic properties of the original photo: including the subject and the natural textures of the environment, reflections, light and shadow gradations, true colors, and spatial relationships, making it appear as a visual fact directly captured or retained. Avoid excessive filtering and do not weaken the realism of the original image. The lower half, on a cream or warm white paper surface with a coarse fiber texture, reconstructs the subject's silhouette from the original image as a negative-space composition in blue-gray tones. The number of subjects, size proportions, directional relationships, spacing rhythm, and overall distribution should echo the original image; however, the expression shifts to "contour placement within blank space," making the subject feel distilled into a quiet, restrained specimen form. The focus is not on depicting details, but on using the subject's contours, empty areas, and the paper's breathing room to establish a layout order. The composition should retain large areas of quiet blank space, giving the lower half a display-label, catalog, or observation-sample-page quality. Minimal auxiliary graphic elements may be added, such as fine starbursts with a silkscreen feel, subtle transparent color blocks, or delicate handwritten notes or annotations, but they must be restrained and sparse, never overwhelming the main subject. The overall color palette should adapt naturally to the input photo, coordinating the upper and lower sections within a unified, low-saturation, misty system; the lower half should primarily use cool tones such as blue-gray, off-white, and misty cyan. The overall mood should be quiet, light, and airy with ample blank space, like a "real image" and a "negative-space specimen on paper" placed together on the same page. Avoid: direct poster-like decoration, excessive graphic elements, corner markers, info boxes, heavy collage, overly strong ocean-themed hints, realistic outlined illustrations, arbitrary changes to the number or direction of subjects, or a lower half that is too dense or lacks breathing room.