Póster dividido de diario de viaje de foto a crayón

Please create each of my uploaded travel photos into a separate "crayon travel sketch" comparison poster - no multi-image collages, each photo output individually. Overall use a 3:4 vertical composition, with the upper and lower sections close to a 1:1 height ratio, separated by a clear, straight horizontal boundary. Do not use gradients, feathering, or blending effects in the middle. The upper section faithfully preserves the original photo, accurately maintaining the people, animals, buildings, vehicles, boats, natural landscapes, action directions, viewing angles, spatial relationships, real textures, natural lighting, and original color atmosphere. Only apply light travel magazine color grading and a very thin layer of film grain. Do not redraw, move, replace, or distort the subjects in the original photo. The lower section is a warm off-white art paper with visible fibers and slight deckled edges, retaining large areas of clean, continuous paper negative space. Embed an independent horizontal drawing paper piece in the center of the lower section. The paper piece should occupy about 70% to 80% of the lower section width and 40% to 50% of its height, with soft, natural, slightly irregular hand-torn deckled edges and paper fibers - no smooth, regular digital frames. The crayon illustration on the horizontal paper piece must come from the same photo above. Do not extract only one isolated person or object - preserve the main narrative composition and spatial relationships of the original photo: keep one most recognizable subject; preserve the subject's original pose, direction, and positional relationships; keep one to three clues that indicate the location or environment; make the subject, road, building, mountain, water, sky, or other key elements in the illustration clearly correspond to the photo above; remove cluttered backgrounds, distant details, photographic noise, tiny text, and irrelevant decorations. The lower section is not a mechanical tracing of the entire photo - it compresses the complete scene into a brief, naive, memory-like horizontal crayon sketch. Adjust cropping, detail density, and color count as needed, but do not change the subject's identity, quantity, action direction, or key scene relationships. Use round-tipped thick crayons, oil pastels, and a small amount of pencil for the illustration. Use broken, slightly hesitant dark gray or black thick crayon outlines as the main structure, showing uneven hand pressure, pauses, retracing, over-the-line coloring, paper texture showing through, slight smudging, colors not fully filled in, and irregular brushstroke breaks. Keep the shapes simple, rounded, slightly clumsy, with the warmth of a personal travel sketchbook and an old picture book. Realistic facial features are not required, and accurate perspective is not necessary - but the subject must remain instantly recognizable through its silhouette, pose, and iconic objects. The image should be naive but not childish, relaxed but not sloppy. Extract two to four soft colors from the photo above, paired with black or dark gray outlines. Preserve the most memorable characteristic colors of the photo, such as the blue of a building, the orange of a vehicle, the gray-blue of a lake, the green of grass, or the pink of flowers. Reduce the number of colors and saturation - do not use fixed navy blue, rainbow palettes, or colors unrelated to the original photo. Add one natural English handwritten caption above and one below the horizontal drawing area: the upper text describes the location, weather, subject, or scene relationships actually visible in the photo; the lower text records a slight emotion or observation from that moment; both sentences should be short, natural, and human, like lines scribbled during a trip; do not use numbers, years, archive fields, advertising slogans, or standardized poster titles. Use loose, slightly shaky graphite pencil or crayon handwriting, preserving paper tooth, broken strokes, and natural writing errors. The font size must be clearly readable in chat preview, with text that looks genuinely written on paper rather than smooth digital typography added later. Overall, present a gentle contrast between real travel photography and a private crayon sketchbook. The upper section records what actually happened in that moment; the lower section leaves behind shapes, colors, and a light annotation after memory has edited them. Avoid isolated person icons, sticker-style subjects, full realistic background redraws, children's cartoons, emojis, rainbow color schemes, smooth vector lines, automatic photo tracing, digital filters, full-bleed illustrations, regular frames, dense decoration, garbled text, fake Chinese, author names, signatures, brand logos, QR codes, and watermarks.