Foto a Póster Artístico con Ilustración de Crayón en Blanco y Negro

I will create a separate, high-end design poster for each photo you upload, with no multi-image collages - each photo is output individually. The overall format is a 3:4 vertical composition, with the upper and lower zones strictly at a 1:1 height ratio, each occupying 50% of the frame. The upper half preserves the original photo, maintaining the subject's identity, structure, pose, authentic texture, natural lighting, and original color atmosphere, with only subtle high-end photographic color grading to give it the quality of an art magazine, independent publication, or exhibition photograph. To fit the frame, the sky, ground, or surrounding environment may be naturally extended, but the subject must not be stretched, distorted, or altered. The lower half extracts the most recognizable subject, silhouette, pose, and narrative relationships from the photo, reimagined as a minimalist, bold, dry-media silhouette illustration. Do not mechanically trace the photo's details; instead, compress the subject into rounded, sturdy, slightly naive generalized forms. The head, main contours, or the most memorable parts may be moderately enlarged so it remains instantly identifiable with minimal information. If the photo contains multiple subjects, preserve the most important interaction and treat them as a single visual unit rather than spreading focus evenly. The lower half uses only a near-pure white paper background plus dense black crayon, charcoal, or dry-brush marks - no color, no grayscale gradients. The black forms are not smooth solid vector blocks but are built from short, forceful repeated crayon strokes, retaining paper grain, broken lines, pressure marks, rough edges, uneven density, and areas of exposed white. The outlines are slightly shaky, incomplete, and imprecise, keeping the image authentically handcrafted. The subject's key identifying features may be reinforced through "white feature zones suddenly cut out of the black silhouette" - such as the face, eye area, window openings, vessel mouths, animal faces, core structures, or the most distinctive parts; then complete expressions and details with minimal black dots, short lines, or symbols. Do not aim for realistic facial features or intricate structures; instead, create a direct, playful, and striking contrast between black and white. The composition maintains large areas of clean negative space plus one primary visual relationship. The subject may float centered, be slightly offset, partially cropped, or positioned near the lower edge, with only a rough ground friction line, a few short strokes, or minimal environmental symbols suggesting space. Grass blades, rain streaks, smoke, tabletops, shadows, roads, wind, or other environmental cues should be compressed into very few crayon marks, keeping the background quiet and open. The overall effect avoids complex scenes, letting a single pose, gesture, distance, or relationship carry the main narrative. The text uses a small typographic system that balances refined editorial style with a children's book feel. Do not just write place names or object names; instead, distill a short English title from the photo's emotion, action, relationship, time, or small story, paired with a number, a fitting quote, a chapter number, or a very brief understated caption. The text can be restrained printed small type, or it may include a few deliberately clumsy handwritten, crayon-style, or imperfect letterforms, as if they naturally belong to the illustration. The text must interact cleverly with the graphics: it can align along the ground line, extend in the direction of the subject's movement, hide in large negative space, slightly overlap the silhouette, sit in the negative space between two subjects, or be connected to the subject by a thin line with the number. Keep it to "one short title + 1-2 sets of tiny auxiliary text" - the text becomes part of the compositional rhythm, not a typical poster headline. The overall look is bold black, clean white, simplified forms, and rough texture, balancing childlike warmth, softness, quietness, humor, and solitude - like an old black-and-white children's book re-edited by a high-end design studio. Avoid smooth digital outlines, precise linework, realistic shading, heavy impasto, 3D effects, color, large gray washes, cartoon sticker aesthetics, and templated commercial illustration.