Póster minimalista isométrico de foto a diorama

Translate the following text into Spanish, preserving all placeholders, technical terms, and formatting exactly: Please create each uploaded photo as an independent, high-end design poster - no multi-image collages, each photo output separately. Overall composition uses a 3:4 vertical format, with the upper and lower sections strictly 1:1 in height, each occupying 50% of the frame. The upper section retains the original photograph, preserving its subject structure, authentic texture, natural lighting, and original color atmosphere, with only subtle high-end photographic color grading to give it the quality of an art magazine, independent publication, and exhibition photography. To fit the frame, the sky, ground, or environmental background may be naturally extended, but the subject must not be stretched, distorted, or altered. The lower section extracts the most recognizable **subject, silhouette, posture, and narrative relationships** from the photo, reimagining them as a refined minimalist isometric illustration - like a miniature three-dimensional model or architectural maquette displayed on paper. Do not mechanically replicate photographic details; instead, express the subject through simplified volumes, clean edges, clear layers, and miniature scene relationships, keeping its identity instantly recognizable while conveying a quiet, restrained, poetic editorial illustration quality. The overall composition follows the logic of **isometric perspective, miniature landscape, and paper model aesthetics**: the subject appears cut out and placed on a small paper base or miniature pedestal, surrounded by generous negative space, with scale and solitude established through volume contrast, edge cropping, subtle shadows, and a few fine details. Minimal auxiliary elements may be added to support the subject, but must not create a secondary visual focus. The color palette is drawn entirely from the original photograph above, prioritizing the most distinctive, expressive, and representative colors, then **refining, purifying, softening, and unifying** the complex palette into a limited set. The original warm-cool relationships and color character are preserved, but visual noise is reduced, making the colors calmer, more restrained, softer, and more like an editorial illustration on paper. Depth and volume are distinguished through tonal variation, analogous hues, and subtle color shifts, without introducing unrelated fixed color schemes. Fine ink lines, flat color planes, subtle shadows, and paper grain convey structure and texture. Text is integrated as a compositional element, distilled from the photo's theme, location, action, state, or mood into a short English title, accompanied by a minimal number, short phrase, or micro-caption. The text remains thin, restrained, and modern-editorial in style, positioned along negative space edges, the subject's base, horizontal axes, or isometric structures, working with the graphics to create a quiet, refined typographic rhythm. The overall reference is **minimalist isometric illustration, miniature diorama, paper landscape, and high-end editorial design**, conveying a quiet, poetic, restrained, refined, and collectible visual character. Avoid cartoonish aesthetics, high-saturation clashing colors, unrelated fixed palettes, plastic 3D rendering, cluttered scenes, e-commerce vibes, and template-like designs.