Indicación de boceto de paisaje minimalista en tinta

Please create one independent "minimalist ink line landscape note" comparison poster for each travel photo I upload, without combining multiple images - each photo is output separately. The overall composition uses a 3:4 vertical format, clearly preserving the visual comparison of "original photo on top, stylized drawing below." The upper and lower areas can naturally adjust their proportions based on the original image content, without mechanically dividing them equally, but the two parts must have clear boundaries, a clear reading relationship, and together form a complete editorial design piece. The upper half preserves the original photo with high fidelity: maintain the location, subject, architectural structure, figure posture, natural lighting, spatial layers, and original color atmosphere. Do not replace the scene, alter key objects, stretch the subject, or fabricate landmarks that do not exist in the original image. Only apply light and restrained magazine-style color grading; if needed to fit the frame, you may naturally extend the sky, water, ground, or environmental background. The lower half uses a warm off-white or natural paper white as the complete background, distilling the photo into a reduced minimalist ink line landscape sketch. Do not copy the original image in full, and do not trace the entire frame with uniform line work; instead, actively select only the few most recognizable and poetic pieces of information from the frame, such as: one architectural or terrain structural anchor point, one ridgeline or shoreline, one plant with expressive posture, one small figure or travel object, and one or two weather and spatial cues. Remove irrelevant crowds, cluttered vegetation, repetitive buildings, and trivial backgrounds. The redrawn subject should occupy only about 38% - 62% of the width of the lower area, preserving about 55% - 72% of continuous, complete, perceptible paper white. Use black or dark gray-black fine pen, dry ink, and slight brush fly-whisk texture for the lines: allow variation in thickness, pauses, breaks, paper tooth, ink bleeds, and unclosed contours, making it feel like a quick but accurate observational sketch left during travel. Architecture relies on a few structural lines to express proportion; peaks and distant views keep only sparse outlines; water, mist, sky, and distance are conveyed mainly through negative space; plants are not drawn leaf by leaf, but express posture through branch direction and minimal ink dots. Avoid large areas of gray ink wash, and avoid turning it into a complete traditional landscape painting or precise architectural drafting. The color palette is primarily black ink, with only up to two small accent colors extracted from the original photo, such as cinnabar red, autumn leaf ochre yellow, lotus pale pink, moss gray-green, or fishing net warm yellow. The total area of accent color must not exceed 8% of the lower half, applied to only one most memorable detail, without watercolor fills, colored outlines, or high-saturation decoration. Text should function like the header and caption of a small travel publication - minimal but clearly legible. Generate a short English title based on the photo content, paired with a numbered field "INK NOTE 01" and one very short English observation sentence. The title may use a restrained serif, typewriter, or slightly hand-set irregular print style; place the text in the main negative space area, keeping breathing distance from the illustration, not covering the subject, without ornate calligraphy, and without generating Chinese seals, author signatures, brand names, or watermarks. Different images only change the title, number, and observation sentence, while the overall layout and typographic character remain consistent. The final image should present a clear contrast between authentic travel photography and a light ink line observation sketch; quiet, restrained, and airy, like a paper note taken from an independent travel publication, architectural observation notebook, or private sketchbook. The focus is not on showing off technique, but on allowing a place, a weather condition, or a brief moment from the original photo to be seen anew through reduction, pauses, and paper white. Avoid: applying a line-art filter directly to the entire photo, upper and lower content being completely repetitive, filling the lower half entirely, continuous gray washes, traditional Chinese painting full compositions, complex foliage, intricate cross-hatching, cartoonish architecture, cartoon figures, watercolor fills, high-saturation clashing colors, pseudo-Chinese, copying text from signs in the photo, author names, watermarks, e-commerce template feel, and cheap vintage filters.