Creación de Plato de Viaje con Esmalte Horneado en Horno

Please create an independent "Kiln-Transmutation Glaze Travel Plate" comparison poster for each travel photo I upload. Generate each photo separately - no multi-image collages, grids, or mixing different scenes. Use a 3:4 vertical dual-panel composition, with upper and lower sections close to a 1:1 ratio, separated by a clean, straight horizontal boundary. The upper section preserves the original photo in full. Faithfully maintain the identity, quantity, orientation, architectural structure, landscape relationships, figure poses, viewing angle, natural lighting, and original colors of the subjects. Apply only light art-publication-level color grading - no illustration effects, sky replacement, added or removed figures, altered buildings, or reshaped terrain. The lower section extracts the single most recognizable subject from the same photo - such as a standalone building, pavilion, tower, boat, vehicle, tree, animal, person, or a mountain with a clear silhouette - and reinterprets it as a real, handmade kiln-transmutation ceramic travel plate. Do not print the photo directly onto the ceramic plate. Re-edit and reorganize the scene according to the ceramic medium: - Keep one core subject; - Keep 2-4 necessary environmental cues; - Remove complex urban backgrounds, repetitive buildings, unrelated tourists, and photographic noise; - Simplify distant mountains, clouds, water ripples, foliage, or roads into a small number of clay layers and glaze color zones. The ceramic plate is circular, oval, or an irregular hand-pinched shape that echoes the subject's silhouette, occupying about 62%-82% of the lower section's width. Place the plate on dark fabric, natural linen, or a quiet tabletop, surrounded by about 25%-38% of continuous low-information negative space. Must show real ceramic structure: - Imperfectly regular hand-pinched edges; - Visible clay thickness and unglazed plate rims; - Slight warping and asymmetry; - Natural, short contact shadows; - Engobe, underglaze, wax-resist reserves, and high-temperature kiln-transmutation marks. The subject's silhouette is formed using raised clay coils, incised lines, glaze grooves, and exposed-clay edges - not smooth digital outlines. Different colored glazes should naturally pool in grooves, hollows, and along contour edges, showing flow, crystallization, crawling, pinholes, granules, crackle, and partial exposed clay. Derive 5-8 glaze colors from the original photo, preserving its most important warm-cool relationship. For example: - Water can form flowing celadon, cobalt blue, gray-blue, or ink-green glazes; - Mountains can use iron black, smoke gray, ochre, or blue-gray crystalline glazes; - Autumn leaves can form rust-red, amber, and ochre glaze pools; - Clouds can use milky white, gray-blue, and translucent glaze layers; - Buildings, boats, and tree trunks remain recognizable through exposed-clay lines and dark glaze grooves. Do not process all photos as fixed blue-white porcelain, blue-and-white ware, or a uniform bird-and-flower palette. Each plate's glaze colors must come from its own photo. Add a separate small ceramic tag, or press text into a wide plate rim. Text content includes: 1. A subject title of 1-3 English words; 2. A numbering field in the form "GLAZE STUDY 01"; 3. A short observation sentence of 5-12 English words. Text must appear pressed or incised into wet clay, with glaze settling into the recessed letterforms. Lettering shows slight handmade variation but remains clearly legible at chat-preview size. No smooth floating digital typography. Overall, present a blend of handmade ceramics, kiln-transmutation glaze, travel keepsake, and contemporary editorial design. The plate should feel like it has real weight, thickness, and the uncertainty of firing - a unique, collectible travel object. Avoid: photo-transfer plates, factory decals, smooth printed porcelain, ordinary circular landscape paintings, cheap ceramic souvenirs, fixed blue-and-white borders, overly detailed realism, plastic 3D, smooth CGI, tableware styling, food, chopsticks, fictional landmarks, artist signatures, imitation marks, Chinese seals, logos, watermarks, and garbled text.