Mapa isométrico de ciudad en relieve escultórico

【Isometric City Map Relief】 Turning the city from a "landscape" into a terrain specimen you can hold in your hand. The top still shows the real buildings you saw while traveling, while the bottom compresses domes, towers, rooftops, coastlines, and streets into a small relief. It does not aim to replicate the city in full, but leaves only a few structures that best represent the place, letting the architecture rise slowly from the paper surface. prompt: Please turn each travel photo I upload into a separate 3:4 vertical editorial poster. Output each photo independently - no multi-image collages. The upper half retains the original photo, occupying about 50% of the frame. Accurately preserve the subject identity, architectural structure, terrain relationships, viewing angle, real materials, natural lighting, and original color atmosphere. Apply only light advanced photographic color grading and a very thin film grain. Do not redraw the photo as an illustration. Do not move, distort, replace, or add subjects. The lower half extracts the most recognizable buildings, roads, coastlines, rooftops, landmarks, or transportation elements from the same photo and reconstructs them into a compact isometric city map relief. Use an isometric angle of around 30 degrees, layered building blocks, clean cuts, visible side thickness, stepped terrain, short contact shadows, and matte cardboard or mineral plaster materials. It should read like a shallow-relief city model placed on off-white paper - not a flat map, not generic geometric illustration, not a glossy 3D city model. Do not replicate every building one by one. Keep only 2 to 4 of the most important landmarks plus a few road, water, or rooftop relationships. Actively change the scale, cropping, and information density of the lower-half subject so it clearly differs from the photo above. The model can be reduced and shifted to one side, leaving generous continuous off-white negative space around it. Do not fill the lower half. Extract colors from the original photo and compress them into 5 to 8 low-saturation natural tones. Preserve the color character of local architecture and water. Use warm gray, sandstone, gray-blue, ochre brick red, ink green, charcoal gray, and off-white as relational colors. Avoid plastic feel, neon colors, and game-map styling. Add a small amount of readable mediated text in the negative space of the lower half: Main title: "[1 to 3 English word title]" Field: "[location or subject] / RELIEF [number]" Observation line: "[one short sentence describing a structure actually visible in the photo]" The text should look like editorial annotation printed or embossed on drafting paper - restrained narrow sans-serif or technical serif, dark gray, consistent with the relief material. Do not generate author names, logos, watermarks, QR codes, fictional coordinates, fake Chinese, or garbled text. Overall tone: isometric city map, architectural model, shallow relief, paper terrain, travel archive, modern editorial design, quiet museum publication texture. Avoid: flat vector map, generic city model, glossy CGI, plastic toy, video-game map, dense tiny buildings, full-background map, invented landmarks, altered source photo, missing photo comparison, same-crop redraw, fake text, watermark, author signature, smooth digital gradients.