Prompt de Fotografía con Flash en Interiores: Retrato en un Dormitorio Acogedor

Hyper-realistic close-up portrait photography in an indoor bedroom, vertical format approximately 4:5, a young East Asian woman lying face down on white bedding, the lens nearly touching the bed surface, shooting from a position slightly to the right in front of the subject. Using an equivalent 28-35mm phone/compact camera lens, at a distance of about 45-70cm from the face, the camera angle slightly lower than the subject's face, creating a very prominent yet natural sense of depth perspective: her face and upper body are in the right foreground of the frame, closest to the lens; her waist and hips extend toward the left background; both knees to elevated, with both feet in the far left upper area of the frame. The shot extends from the tips of her toes to her forearms, with the subject nearly filling the entire frame; no fisheye lens is used, and there is no heavy background blur. The subject must have a very noticeable natural, voluptuous hourglass adult female figure: small-to-medium bone structure, moderate shoulders, visibly full upper body, large yet natural breasts with a sense of real weight; the ribcage itself is not broad, the waist is clearly cinched, the pelvis and hips are wider, the buttocks are very full, round, and thick, and the upper thighs are plump. In the prone position, the chest and torso are naturally supported and slightly compressed by the bed, while the hips form a distinctly rounded contour as the body extends backward. Do not create a typical slim model body type, with narrow shoulders, flat hips, or thin thighs, nor an extreme muscular or exaggerated "wasp waist" physique. The subject is in a low, prone position: her stomach and pelvis are close to the bed, she props herself up on her forearms, both elbows in front of the camera, with shoulders slightly forward. Her right forearm extends horizontally toward the bottom of the frame, while the other arm is partially hidden by her body and framing. Her chest, shoulders, and neck are noticeably closer to the camera but are not fully arched; instead, she relaxes against the bed. Her lower body extends toward the left background of the frame, with her pelvis slightly slanted toward her left side, giving her hip contour a distinct curve in the left-center of the frame. Both knees are bent at about 90 degrees, with her calves lifting upward from the bed; the two calves are close but not overlapping; both feet are lifted high behind her, tilted toward the upper left of the image, with the soles facing the front side of the lens, as if showing a clear outline of the bottom of the feet. Her legs must have proper knee joints with correct connection, instead of overlapping, merging, or showing extra legs. Her head is positioned in the upper-right and centered area of the frame, and her face is very close to the camera. Her head is slightly tilted toward her left, with her chin slightly lifted, and her eyes looking directly at the lens. Her lips are gently pursed, forming a natural subtle pout, without showing a smile in a wide open mouth. The overall expression is quiet, slightly lazy, and intimate, as if captured at close range. The subject has jet-black, ultra-long straight hair, at least reaching chest-length, with thick, smooth texture. Her hair is parted naturally in the center, slightly off-center, and she has a thin, neat, long airy fringe at the front, nearly reaching her eyebrows, with a few stray strands naturally falling near her forehead and eyes. On the right side, a voluminous of long hair cascades down her shoulder, laid over the bed and chest, forming a large, dark, flowing dark area; on the left, part of her hair goes behind her back. Her face shape is small with a lead-trend oval shape, and a soft jawline, with a fair and warm complexion. Her eyes are slightly large, almond-shaped with deep brown irises, with natural double eyelids and thin eyeliner that gently extends outward, and clearly defined eyelashes, especially above her eyes. Her eyebrows are naturally slightly flat. Her bridge of the nose is delicate, straight, and small, with a refined nose tip. Her lips are naturally full, with a rose color, with a subtle , plump sheen on the surface. She has clearly visible but soft pink blush on her cheeks, with a pinkish tone around the nose and under-eye area. Her skin retains real pores and subtle subtle color variations, but is clean and bright overall, without noticeable effects from over-smoothing. She wears a dark gray oversized blazer , with boyfriend-style, made of medium-weight gray suiting fabric with textured weave and fine hair/wool texture. The collar is loosely open, with wide lapels naturally folding to both sides; the shoulders are slightly broad, and the sleeves are long, creating a natural stacking of folds above the forearms. The front of the jacket falls open to the sides due to the prone position, and a black , fitted inner layer is visible. Underneath, she wears the same outfit that is purely black, a minimalist, low-cut fitted top/bra-style top, black fabric with a matte finish, and without intricate lace or patterns. Only a small area of chest and under-bust is revealed, covered mostly by the oversized blazer. Do not show a white inner shirt, a high-neck top or athletic tank. The lower piece is black, ultra-short , close-fitting undergarments or high-cut briefs, and is mostly just the area from waist to hip, and partially obscured by posture and the gray blazer, with the edges of the black fabric just visible when not visible. Keep normal coverage, and no skirt, jeans, or long pants. On her legs, she wears sheer white thigh-highs, which cover continuously from the thigh to the toes. The fabric is very thin, around 10-20 denier, with a translucent whitish effect that reveals natural skin color and the outline of the toes. The fabric has a slight fine texture on the calves, ankles and soles, and with soft satin reflection under close direct lighting. When her feet are stretched, the fabric becomes slightly more transparent due to the fabric being pulled, and the outline of the foot, the heel and the toes are naturally visible, but they are still clearly covered by her white sheer socks. Do not create thick white cotton socks, knee-high socks, bare feet, or fabric of any other kind - everything remains exactly as described above. The bed is simple white/attention to item placement contrast should not be a focal point would be white/warm-toned sheets and quilt. The subject's forearms and upper body press against the soft mattress, forming natural creases and folds with wrinkles in the sheet. The left side of frame and under the subject show soft white fabric; do not create a luxurious hotel-like bed setup, but keep the realistic home feel. The background is and very simple and slightly dimmed: behind her is a light gray-white wall, with a dark doorway at the left/left-back in the upper background, mostly falling into shadow; the right-back area is almost empty, without any complex furniture, decorations, or distracting elements. The background is minimal, and the body is the absolute focus. The light is deliberately shot in front-lit from a close-up device, like a phone or portable camera's built-in flash, which directly illuminates the face, chest shoulders, arms, and the foreground sheet, making her skin appear fair and bright, with clear highlights on the nose, temples, lips, and collarbones, but without blowing out; the room behind the subject quickly darkens, establishing the strong light falloff of "bright subject, dim background". The black hair must maintain its texture, not becoming a mat blocky black. The entire image has an authentic look from being shot on a social media "close selfie" or friend's quick snapshot: slight high-ISO grain, natural sharpening, limited dynamic range, with the hard shadows of direct flash - lacking a cinematic color grade, and with no softbox lighting. The face and the foreground upper body in the background front of the view is sharpest, while the feet, if present, have that, and the far background has very subtle natural softening, but not subject to heavy blurring.