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Retrato hiperrealista de dos personas en una habitación japonesa de tatami con toma gran angular desde ángulo bajo

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硅基废话
Contribuido por硅基废话XFuente

18 sept 2026

Retrato hiperrealista de dos personas en una habitación japonesa de tatami con toma gran angular desde ángulo bajo Un prompt detallado de generación de imágenes por IA para un retrato hiperrealista en una habitación japonesa de tatami de dos mujeres adultas de Asia Oriental, con un plano general de ángulo bajo, medias negras transparentes y estética de cámara CCD.

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Hyper-realistic Japanese tatami double portrait, vertical format approximately 3:4, two clearly adult East Asian women, 20+, sitting side by side on the floor of a traditional tatami room, camera placed directly on the floor in front of their feet at an extremely low position, using a 20-24mm ultra-wide-angle lens for a close low-angle shot. Their feet are closest to the camera, with soles wrapped in black sheer stockings clearly enlarged, occupying the lower half of the frame; their faces are in the upper part of the frame, creating a strong perspective effect of near-large and far-small. Both have small to medium frames, slender waists, naturally full thighs, and realistic body proportions. They sit naturally leaning against the Japanese-style wall, legs extended toward the camera with knees bent: the person on the left has both legs extended forward roughly side by side, with both soles facing the camera directly; the person on the right has her legs crossed, with one sole in the center foreground of the frame, and the other foot slightly raised to the right. The soles are fully covered by stockings, with toes, balls of the feet, arches, and heels clearly visible through the thin stockings; the stockings become more transparent where stretched over the soles, and fine fabric texture is visible at the toe area. The person on the left has jet-black long straight hair, combed back to reveal her ears and forehead, wearing small gold earrings. The person on the right has her hair in a simple low bun, with a few loose strands on both sides of her face. Both look directly at the camera with calm, indifferent expressions, with refined but natural makeup: thin eyeliner, light brown eyeshadow, and low-saturation muted rose lip color. The outfits are two different modern fitted qipaos / modified Chinese-style sleeveless dresses in different colors. The one on the left wears a warm ginger / amber yellow qipao, with a stand collar, sleeveless, fitted cut, fabric decorated with red-orange floral patterns and small traditional motifs, a small teardrop opening at the center of the collar, side slits naturally opening, revealing the thigh in a seated position. The one on the right wears a gray-blue / slate gray floral qipao, also high-collar and sleeveless, covered with pink, dark red, and off-white flowers and green leaf patterns, with a matte soft fabric that hugs the waist and hips, and the hem naturally spreads out in a seated position. Both wear smoke-black ultra-thin semi-transparent pantyhose / sheer pantyhose, approximately 10-15D, in a black-gray or dark coffee-gray tone, clearly revealing natural skin color. The stockings cover from the thighs completely down to the toes, with a delicate silky sheen and slight highlights under the flash. No fishnets, thick black stockings, or bare feet. Hands are natural: the person on the left keeps her hands near her chest and abdomen or between her knees, while the person on the right has one hand lightly on her chest and the other propped beside her body, maintaining a casual group-photo pose. The scene is a traditional Japanese tatami room. The floor is covered with light beige woven tatami mats, edged with dark green woven trim. The background has white lime-plaster walls, dark brown wooden beams, wooden lattice sliding doors, and translucent washi paper windows. On the upper-left wall hangs a framed calligraphy piece with black brush writing on white paper in a dark wood frame. In the upper-right foreground, a thick low dark brown wooden table is placed, with its corner very close to the camera, producing obvious perspective enlargement. On the table is a transparent glass teapot containing light golden tea, with a white teacup beside it. The wooden table partially blocks the upper-right area of the frame, adding a sense of real space. Lighting uses frontal portable digital camera hard flash combined with dim warm indoor light. The flash directly illuminates their faces, qipaos, and stocking-clad soles; skin tones appear warm white. The soles, being closest to the flash, are very clear and bright, with stocking texture, toe contours, and arch layers clearly visible. The wooden structure in the background and the deeper parts of the room remain darker. Overall, it has a 2000s-2010s Asian photo / CCD digital camera indoor direct-flash aesthetic: strong ultra-wide-angle perspective, slight vignetting, a bit of grain, slightly soft edges, limited dynamic range, realistic skin texture, no modern HDR or commercial studio look. Key focus: two adult East Asian women; Japanese tatami room; ultra-low camera angle close-up; both sitting on the floor with legs extended; multiple black sheer-stocking soles facing the camera and clearly enlarged by the wide-angle lens; toe and arch contours clearly visible; ginger-yellow floral qipao; gray-blue floral qipao; smoke-black ultra-thin pantyhose; glass teapot; dark low wooden table; wooden beams and calligraphy scroll; frontal direct flash; CCD photo aesthetic. Avoid: minors, bare feet, white socks, fishnets, thick black stockings, high heels, standing poses, kneeling poses, normal eye-level camera position, modern Western-style bedroom, subjects too far away, soles too small, shoes covering the feet, anime-style faces, CG look, plastic skin, extra toes, extra limbs, watermarks, and logos.

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Referencias

Categorías:creative| twitter| photorealistic| japanese-tatami

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