Diseño de póster de exhibición cultural oriental de alta gama

【Exhibition Theme】：[Exhibition Theme] 【Chinese Title】：[Chinese Title] 【English Title】：[English Title] 【Subtitle】：[Subtitle] 【Art Medium】：[Art Medium] 【Main Visual Content】：[Main Visual Content] 【Theme Phrase】：[Theme Phrase] 【Time】：[Time] 【Location】：[Location] 【Primary Color】：[Primary Color] 【Aspect Ratio】：9:16 Design a high-end Eastern cultural heritage exhibition poster, combining ancient art mediums with modern editorial layout. Use warm off-white, aged paper, or rice paper texture as the background, preserving natural paper fibers, subtle grain, scanned archival feel, and genuine print wear. Overall restrained, quiet, with historical depth, like the exhibition key visual of a mature museum or art institution. At the top, add an oversized light-colored English serif title, with some text allowed to extend beyond the frame edges, serving as a background-level visual structure. On the left, use a large Chinese main title, which may be arranged vertically or in a vertical column, accompanied by a smaller exhibition subtitle. At the bottom, concentrate the time, location, and a single theme phrase, and include a small cinnabar seal stamp. On the other side of the composition, place a large [Art Medium] as the main visual, occupying approximately 40%–55% of the frame. Do not display it simply and completely; instead, reconstruct it through partial cropping, fragments, damaged edges, vessel-shaped windows, scrolls, mural flaking, mold cracks, or aged silk deterioration. Within the [Art Medium], present [Main Visual Content], preserving authentic traces of age, material texture, faded pigments, and historical use, making the subject appear like a genuine cultural artifact that has entered a museum after preservation, restoration, or archaeological excavation. Overall, use an asymmetric editorial composition with clear visual hierarchy: Oversized English → Artifact / Ancient Painting Subject → Chinese Title → Exhibition Information. Color centers on [Primary Color], with overall low saturation, and may incorporate small amounts of ink black, clay gold, ochre, and cinnabar red as structure and accents. The final result should resemble a museum exhibition poster, cultural publication, and Eastern art institution visual system, rather than an ordinary Chinese-style poster.