Póster de Impresión de Medios Tonos Arquitectónicos

Please create each travel photo I upload as an independent "Architectural Silhouette Halftone Translation" editorial poster. Generate each photo separately - no multi-image collages, no grids, and no combining different locations into a single artwork. Use a 3:4 vertical dual-panel composition, with the upper and lower sections at a ratio close to 1:1, separated by a clear, straight, restrained horizontal boundary. The upper half preserves the original photo in full. It must faithfully maintain the building's identity, roofline, dome, spire, column arrangement, window and door relationships, the impression of the number of statues, viewing angle, perspective direction, figure positions, real materials, natural light and shadow, and the original color atmosphere. Only apply light editorial publication-grade color grading and a very thin film grain. The upper half should still clearly read as a real photograph - no illustration treatment, no building replacement, no perspective alteration, no adding or removing figures, and no reshaping the sky. The lower half extracts the most recognizable architectural silhouette and spatial structure from the same photo and reorganizes it into a monochrome screen-print style architectural silhouette halftone image. Do not simply convert the photo into a black-and-white halftone filter, and do not redraw the full original framing at the same scale. Actively recompose based on the architectural features: enlarge core structures such as domes, towers, roofs, colonnades, arches, or staircases to 65% - 90% of the height of the redrawn area, allowing the subject to bleed off the bottom or side edges, using local cropping to create stronger visual impact. Keep only the structures that define the building's identity, and remove repetitive small windows, sky texture, surrounding miscellaneous buildings, and photographic noise. Use one deep screen-print ink color to form heavy solid silhouettes for the roof, dome, spire, arches, and primary structures; render the facade with only a few bold lines, broken lines, and large tonal blocks. Figures, plants, distant colonnades, building edges, or secondary structures should gradually dissolve into circular halftone dots of varying sizes. The size, density, and absence of dots should carry depth, curvature, occlusion, and spatial distance - not cover the entire image uniformly. Use warm ivory, off-white, or unbleached paper as the base color for the redrawn area, and extract one most representative deep ink color from the original photo, such as deep blue, ink green, brick red, deep brown, or charcoal black. Use only this single ink color throughout the redrawn area, building hierarchy through solid areas, lines, dot density, and missing ink - no second decorative color. Retain approximately 25% - 38% of continuous blank paper space. The blank space must work together with the architectural silhouette to form the layout - it can sit beside the building, in the sky direction, inside a curve, or along the edge of the subject - but it cannot be a hard white rectangular patch. Add a small amount of English text in the blank space, corresponding to the photo content: - A main title of 1 - 3 English words; - A numbering field such as "STUDY NO. 01"; - A short observation sentence of 5 - 12 English words. The title should be generated from the architectural, structural, or spatial features actually visible in the photo, such as dome, colonnade, bell tower, arch, spiral stair. Do not invent dates, coordinates, building names, or historical information. Use the same dark ink color as the image for the text, set in bold uppercase letters, old-style screen-print type, or a publication font with slight missing ink. The main title must remain clearly legible at chat preview size; the secondary text can be smaller but must not shrink into an unreadable decorative line. Text edges may show slight missing ink, paper tooth, and the imperfection of hand printing. The overall visual character should be that of an architectural archive, an independent publication, a monochrome screen print, and a modern architectural poster: structural, with breathing room, with print weight, while remaining quiet, restrained, and collectible. Avoid: full-photo halftone dot filters, grayscale photo effects, fine etching, evenly spaced smooth vector dots, complete reproduction of the original composition, generic city skylines, fictional buildings, multi-color inks, cheap vintage filters, dense explanatory text, artist names, signatures, logos, watermarks, QR codes, fake Chinese characters, and garbled text.