Editor de Placas de Campo Arquitectónico

Please convert each architectural travel photo I upload into an independent "architectural observation plate" poster. No multi-image collages - each photo is output separately. Overall composition is 3:4 vertical, divided into two clear zones. The upper zone occupies about 45% of the frame and faithfully preserves the original photo. Keep the building's real structure, viewing angle, perspective direction, facade proportions, roof silhouette, rhythm of arches, natural light, and original colors. Only apply light architectural magazine and exhibition photography color grading. Do not turn the photographic area into an illustration, do not change the building's identity, and do not add structures that do not exist. The lower zone occupies about 55% of the frame, using warm white archival paper as the background, reorganizing the same building into a restrained, refined architectural observation plate. Depict the building with fine pen, graphite pencil, and a very small amount of transparent color wash. Preserve the building's most recognizable overall silhouette, facade layering, main perspective axes, roof, tower body, dome, arches, and window grid rhythm. Do not redraw the full composition in proportion to the original photo. Reorganize the subject into a main architectural study drawing placed centrally or slightly lower, occupying about 48% - 68% of the lower zone width, with generous continuous paper white around it. Extract 2 - 4 real, visible architectural details from the same photo to create small detail studies, such as: - Arched windows or door openings - Dome rib lines - Roof seams - Carved ornament - Column capitals or cornices - Glass structure grids - Repeated facade units Use sparse fine leader lines, short measurement ticks, alignment lines, and structural arrows to connect the detail studies to the main building. All details must come from the original photo. Do not invent building interiors, section structures, false dimensions, coordinates, dates, or heights. Colors are extracted entirely from the original photo. Use at most three low-saturation colors plus black-gray linework. Color is used only to emphasize key material and structural qualities of the building, such as stone, patinated green roofs, red brick or tile surfaces, or glass. Do not fill the entire drawing with color. Keep large areas of continuous white space in the lower zone, and add the following three layers of text: 1. A clearly legible building name or a 1 - 3 word English title; 2. A plate number such as "FIELD PLATE 01"; 3. A short observation sentence of 5 - 12 English words describing a structure, color, or spatial rhythm actually visible in the photo. Use architectural office archival typefaces, restrained serifs, or wide-tracked sans-serifs, arranged along the plate grid and leader lines. Text must be clearly legible but must not form a dense annotation block. The overall feel is that of an architectural travel notebook, a field survey sketchbook, an architectural office archive, and an independent publication. The paper shows subtle fiber texture and pencil erasure marks, and the linework has clear weight variation. Avoid fully filled architectural illustrations, CAD blueprint interfaces, dense annotations, fabricated dimensions, random structural diagrams, re-rendered material swaps with the same crop as the original photo, photographic lower halves, author names, logos, watermarks, fake Chinese text, and garbled characters.