Zeitliches Compositing - Ein-Frame-Prompt

input = [ static_anchor / moving_subject / time_span / technique / product_role ] run temporal_compositing_one_frame: premise := a single still image containing multiple moments in time at once technique := choose one and hold its physics - long_exposure_ghost := a rigid static anchor stays tack sharp while a moving person appears as a transparent ghost everywhere they paused briefly and solid only where they stayed longest; the longer at a spot, the more opaque; empty air stays clear; ambient light accumulates so the scene reads brighter than the eye sees stroboscopic := a single motion sampled at even intervals by repeated flashes - the subject appears as a sequence of discrete sharp copies along the motion path, evenly spaced, each fully exposed, overlapping where the movement slowed and spread where it sped up; the background exposed once and clean time_slice := a single frame whose strips read as different moments - light shifting from dawn on one edge to night on the other across one continuous scene, seamless gradients rather than hard joins decay_or_growth := alternatively a subject shown at several stages of a process simultaneously - an apple fresh at one side and progressively decayed across to the other, one continuous object, the transition gradual and physical consistency_law := one camera position, one framing throughout - only time changes across the frame; the static elements are identical wherever they appear product_role := the product is the constant - the one thing sharp and unchanged while everything around it moves through time, or the agent that drives the change context_dna := infer a setting that reads clearly and holds a locked camera capture_dna := tripod-locked; for ghost and time-slice, long exposure at low iso with clean shadows; for stroboscopic, repeated flash against a dark field focal_anchor := the static anchor sharp corner to corner - its sharpness proves the rest is time light_logic := consistent with the technique - accumulating ambient for exposure methods, hard repeated flash for stroboscopic, a real day-arc gradient for time-slice imperfection := a faint secondary ghost, a slight exposure gradient, a hot highlight core, one sampled copy fainter than the others depth & frame := static geometry against time-varying elements; 16:9 or 3:2 mood := contemplative, uncanny, time made tangible render: one honest frame where a single locked viewpoint holding multiple moments makes the image. forbidden - objects: multiple camera angles, a scene where the static anchor also changes forbidden - look: ghost figures beside a blurred static background, stroboscopic copies at uneven or random spacing, hard cut joins in a time-slice, a decay gradient that is really separate objects composited, the constant element drifting between moments