Eastern White-Space Acrylic Travel Illustration Prompt

Please convert each of my uploaded travel photos into an independent high-end travel illustration poster, one per photo, without combining multiple photos. Overall use a 3:4 vertical composition, consisting of a real photo area and a same-scene illustration area. The two areas are approximately 1:1 in height, separated by a clear, horizontal, restrained boundary, without blurring, feathering, or blending at the boundary. The upper half faithfully preserves the original photo. Accurately maintain the subject identity and count, people or animals' poses, architectural structure, terrain relationships, viewing angle, spatial direction, real materials, natural lighting, and original color atmosphere. Only make slight travel-magazine, independent-publication, and photography-exhibition-level color grading, and add very subtle film grain. Do not illustrate, move, add, delete, mirror, stretch, or reshape the subject. The lower half reinterprets the same scene as an 'Eastern white-space acrylic' illustration. First understand the visual information in the photo that truly determines the location, subject, and story, then actively remove complex backgrounds, dense vegetation, repetitive structures, clutter, fine textures, and photographic noise, redrawing only the minimum elements needed to maintain scene recognition. The illustration must not follow the photo's complete framing or the same information density. Based on the subject, choose reduced extraction, local offset, or open composition, changing the subject scale, background retention, and spatial organization. The subject may be centered, lower-center, or on one side, letting unpainted paper directly represent sky, air, mist, distance, ground, or water. Use warm off-white natural drawing paper, clearly showing paper grain, fine fibers, and a matte rough surface. The illustration area must retain at least about 45% continuous paper white space. The white space must form a complete, quiet, perceptible empty field, not fragmented white gaps between objects. Shapes use a few irregular, opaque acrylic pigment blocks and short dry-brush strokes: - Plants become a few clusters of green pigment with broken edges; - Water becomes a few discontinuous horizontal brush marks; - Mountains become gray-green, gray-brown, or ochre dry-brush block surfaces; - Architecture keeps only the main silhouette, roof, archway, and proportions; - People or animals keep only count, pose, direction, and main color. Render with opaque acrylic paint, gouache-like opacity, dry brush, broken brush strokes, rough paint edges, visible bristle marks, uneven pigment coverage, partially exposed paper, and subtle layered paint. Pigment edges have paper tooth, rough edges, gaps, and natural stopping points; do not use smooth digital brushes, transparent watercolor large washes, or heavy oil-painting impasto. Color is entirely extracted from the original photo and compressed into a low-saturation natural palette. Preserve the most recognizable warm-cool relationship of the original scene; may use forest green, moss green, gray-blue, ochre yellow, earth yellow, warm gray, and off-white, with only one small warm or bright area as the focal point. In the continuous paper white away from the subject, add three layers of precise, readable English text: 1. A main title of 1-3 English words extracted from the real location or subject; 2. Add a number in the form 'STUDY NO. 01'; 3. Add one line of 5-12 English words as an observation sentence describing the subject, color, weather, action, or spatial relationship truly visible in the photo. The main title uses warm narrow serif or slightly handwritten matte acrylic capitals, with slight dry-brush gaps and paper friction at the edges. Auxiliary text may be smaller but must be clearly readable at normal chat preview size. Do not generate author names, seals, calligraphy inscriptions, fictional brands, URLs, QR codes, or meaningless gibberish. The overall mood is quiet, restrained, light, plain, natural, and poetic, with the spatial awareness of modern Eastern sketchbooks, independent travel publications, and the Chinese traditional concept of '计白当黑' (treating white space as part of the composition). Avoid: missing source-photo comparison, full-poster redraw, same-crop same-scale repainting, photorealistic lower illustration, transparent watercolor dominating, oil painting, impasto, detailed foliage, individual leaves, complete environmental rendering, full background coverage, smooth digital gradients, vector shapes, sharp outlines, anime, HDR, floating digital typography, fake Chinese text, watermark, cheap template aesthetics.