Circus Acrobatics Video Prompt

SEEDANCE 2.5 PROMPT Duration: 15 seconds Aspect ratio: 9:16 Type: Circus continuous stunts, thrilling, smooth, precise landing. Character reference: The performer is the only character; keep the reference person's identity and appearance, wearing soft-soled sports shoes. The reference image only determines the character, not the background or original pose. Overall style: Live-action footage feel, warm spotlight illuminating golden sand, circular arena with darker stands, audience seated in upper and lower tiers. Shot from the audience side, continuous performance, slight handheld feel, camera pans right with the action. Full body visible, clear aerial trajectory and landing. Action: Fast, seamless transitions; continuous spins in the air; immediate next move upon contact. No slow motion, no freeze frames, no magic effects. Environment: Circular indoor circus arena, sand floor with dark red low barriers. On the left side, a tall metal support holds a long flexible springboard extending right. Below the right front of the springboard is the first low circular trampoline: black mat, metal rim, and legs. Further right is a gray elephant lying on its side facing right, with a beige rectangular pad on its back; the trunk can curl upward. In front of the elephant's head is a second independent circular trampoline. A black horse with a beige pad on its back moves along an arc inside the arena, passing the intended landing area in front of the second trampoline. Continuity: Only one performer, one elephant, one black horse, and two trampolines in different positions throughout. The action path goes sequentially: springboard, first trampoline, elephant back, elephant head, trunk, second trampoline, moving horse back - no skipping any contact point. The following time segments are continuous parts of one performance; no cuts during aerial moves or contact moments. SHOT 1 | 00.00–03.50 | Springboard takeoff, front somersault onto first trampoline Subject: Performer, high springboard, first circular trampoline. Action: 00.00–01.30: Performer stands at the springboard end near the support, then takes a few steps right into a short run-up, arms swinging back naturally. Near the outer end, a small hop brings both feet together onto the board tip. 01.30–02.10: Both feet land on the board tip; the board bends noticeably downward under weight. Performer bends knees to match, arms swing forward and up. The board tip rebounds upward; performer extends legs and leaves the board, body rising right-forward. Must press the board first, then rebound, then leave - no flying from a static pose. 02.10–03.50: Performer does one forward somersault, head and shoulders rotating forward-down, legs passing over the body from behind-top, through a clear handstand pose, then extends to bring feet down. Both feet together land on the center of the first trampoline. On shoe-sole contact, the black mat visibly sinks, body descends with it. Camera: Pan right with the performer, keeping the board tip, full somersault, and first trampoline in frame. Takeoff, spin, and landing are continuously visible. Constraints: Forward somersault only, not backward. Feet land at the mat center, not the edge. No skipping the springboard, no teleporting to the trampoline, no pausing mid-air. SHOT 2 | 03.50–06.50 | Trampoline rebound, somersault onto elephant back Subject: Performer, first trampoline, elephant. Action: 03.50–04.30: The first trampoline's mat sinks to its lowest point, then rebounds. Performer bends knees, arms swing back, then forward-up as the mat rises. The rebound lifts the performer upward and rightward. 04.30–05.50: Performer does one forward somersault in the air, legs tucked, rotating forward. After the full rotation, body extends, feet aim toward the elephant's back pad. The elephant remains lying still; the trunk stays curled. Both feet land on the beige pad on the elephant's back; knees bend to absorb, arms extend to the sides for balance. 05.50–06.50: Performer stands briefly on the pad, then takes a few steps along the elephant's back toward the head. The elephant does not move; the trunk remains curled. Camera: Follow the performer from the trampoline to the elephant back, keeping the trampoline and elephant in frame. The rebound, somersault, and landing are continuous. Constraints: Only one trampoline contact before the elephant. The elephant stays still; no trunk movement yet. The performer lands on the back pad, not the head or ground. No skipping the trampoline, no teleporting to the elephant. SHOT 3 | 06.50–08.50 | Elephant trunk lift, double somersault to second trampoline Subject: Performer, elephant head and trunk, second trampoline. Action: 06.50–07.30: Performer walks to the elephant's head, stands on the neck area, facing right. The elephant raises its trunk upward, curling it to support the performer's feet. The performer steps onto the trunk tip, balancing briefly with arms out. 07.30–08.00: The elephant lifts the trunk upward and forward, tossing the performer into the air toward the right. The performer leaves the trunk with legs pushing off, body rising in a forward arc. 08.00–08.50: Performer does two continuous forward somersaults in the air, body tucked, rotating twice. After the second rotation, body extends, feet aim toward the second trampoline's center. Both feet land on the mat; the mat sinks, knees bend to absorb. Camera: Follow the performer from the elephant head to the second trampoline, keeping the trunk, full double somersault, and landing in frame. The toss, spins, and landing are continuous. Constraints: The trunk performs only one upward toss, no swinging or hitting the performer. After leaving the trunk, the performer moves along a continuous arc, no mid-air acceleration. Two spins are completed consecutively, no pause or sudden reversal. SHOT 4 | 08.50–10.30 | Trampoline rebound, landing on moving horse back Subject: Performer, second trampoline, moving black horse. Action: The second trampoline's mat sinks then immediately rebounds. Performer extends legs and swings arms, launching toward the landing point on the black horse's path. Only one contact with this trampoline; no standing still, no extra bounces, no waiting for the horse to stop. The black horse is already moving along the arc when the performer takes off, and continues forward. The beige horse pad gradually enters the performer's landing position, not the horse stopping beside the trampoline to wait. Performer tucks in the air, does two forward somersaults, shifting toward the horse's direction of travel. On the final rotation, body extends, feet aim at the horse pad. The horse's pad happens to move underneath; performer's feet land on the pad, knees bend to absorb relative motion, arms extend to the sides for balance. When the performer lands, the horse is still moving; do not freeze the horse, do not teleport the horse under the feet. Camera: Slightly wider framing, showing both the second trampoline and the approaching horse at takeoff, then following the performer and horse back. From trampoline takeoff to horse-back landing is continuous, no cuts replacing the landing point. Constraints: Performer leaves the trampoline first, the horse back enters the landing point, then feet contact the pad - clear order. Performer does not land on the horse's head, neck, or ground, and does not become a straddling rider. The black horse always maintains normal quadruped structure and continuous gait. SHOT 5 | 10.30–15.00 | Standing on moving horse back, acknowledging the audience Subject: Performer standing on the black horse's back. Action: Performer gradually stands upright from the landing crouch, feet keeping contact with the pad, ankles and knees making subtle adjustments to the horse's motion. The black horse continues along the arena arc, gradually passing the audience side. Once stable, the performer raises one hand to acknowledge the audience, the other hand extends naturally to the side, with a successful smile. Hair and clothing sway slightly with the movement. Maintain the standing-on-horse-back ending pose, naturally concluding as the horse moves forward. Camera: Follow the horse's turn and pan, keeping the full horse, full performer, and the audience behind in frame, so viewers see the performer truly standing on the moving horse. Audio: Sound design: live audience ambience, short springboard rebound, two trampoline mat compressions and rebounds, horse hooves on sand; after landing on the horse back, applause and cheers increase. No dialogue, narration, or subtitles; sound does not slow the action. Negative: Skipping the first trampoline to go directly to the elephant back, trampoline bouncing repeatedly in place, performer flying directly from elephant back to horse back, omitting trunk contact, trunk separating from head, trunk turning into a human hand, animal deformation, two trampolines merging or teleporting, feet passing through the mat, rebounding without contact, front somersault changed to back somersault, mid-air pause, mid-air reversal, landing before completing the spin, horse stopping to wait, horse teleporting to catch the performer, landing on the horse's neck, becoming a seated rider, performer duplication, face swap, extra limbs, landing point hidden by cuts, slow motion dragging, magic flying, exaggerated glow, cartoon rendering, watermark, subtitles.