Cinematic Horror Portrait: Qipao Woman in Decaying Corridor

9:16 vertical cinematic full-body portrait, extreme low-angle perspective. A beautiful young East Asian woman using the uploaded image as strict facial reference, preserving her recognizable facial identity, natural East Asian features, dark brown eyes, delicate facial proportions and realistic skin texture. No Westernized features, beauty-filter look or plastic AI skin. Her dark hair is slightly damp and loosely tied, with wispy bangs and stray strands around her face. Quiet, detached, subtly melancholic expression - neither frightened nor seductive. She wears a fitted glossy black qipao-inspired dress with high collar, subtle dark floral jacquard, asymmetric thigh-high slit, black lace-top sheer stockings and black ankle-strap heels. Wet fabric, restrained reflections, subtle grime, rainwater and dried reddish stains. She stands alone inside a claustrophobic abandoned mid-century industrial corridor, filled with corroded machinery, analog electrical panels, exposed pipes, tangled cables, rust, moisture and decaying concrete. The architecture is being slowly consumed by dark crimson spider lilies, blood-red roots, fungal filaments and delicate flesh-like botanical tendrils, creeping through concrete cracks and wrapping around machinery. The organic growth should feel simultaneously beautiful and biologically wrong - somewhere between flowers, mycelium, roots and human tissue. Beautiful organic corruption rather than generic gore. Wet reflective floor, dripping walls, falling rainwater, low mist and deep shadows swallowing the distant corridor. Cold grey-blue daylight enters through a damaged ceiling skylight, mixed with weak aging tungsten lamps and extremely restrained deep-crimson organic glow. No cyberpunk aesthetic, neon purple, futuristic signage or nightclub lighting. Central composition, camera almost at floor level, strong vertical architecture towering around her, full body visible from head to heels, long corridor disappearing into darkness. 35mm cinematic lens, subtle perspective exaggeration, realistic anatomy and hands, natural pores, physically believable wet skin and fabric, volumetric moisture, subtle analog film grain. Palette: oxidized black, wet concrete grey, dirty ivory, rust brown, desaturated blue-grey, dried-blood crimson and deep spider-lily red. High environmental information density with clear visual hierarchy. Beautiful before horrifying. Human before monster. Flowers before flesh. Sophisticated Japanese psychological horror, folkloric organic corruption colliding with industrial decay, melancholic, ritualistic and disturbing yet visually exquisite. Photorealistic cinematic realism, practical-effects feeling, no obvious CGI, no anime, no excessive gore, no text, no logo. Aspect ratio: 9:16.