Cinematic DJ Desert Rave Music Video Prompt

YOUTUBE LIVE STREAM using the exact song from [audio ref]. Reference creatives: [character sheet image] is the DJ's casting sheet (face, beard, cap with its small mint patch and lettering); [cs ref 2] is his wardrobe and body sheet (charcoal acid-wash sleeveless tank, gold chain, tattooed arms, baggy light-wash jeans). [image refs] are the nine camera positions - each shot below reproduces that image's exact camera position, lens and framing. [audio ref] is the music; every cut lands on its bar lines and the drop is at 14.88s. Summary: a cinematic montage of one DJ playing the main drop of a golden-hour desert rave on an art-car stage - prestige concert film, quick clean cuts on the bar, every shot one idea. Camera package for every shot: ARRI Alexa 35, Zeiss Supreme Prime spherical lenses, 180-degree shutter at 24fps so movement blurs naturally, ISO 800, fine film grain, warm golden-hour grade, gentle halation on highlights. Low sun house-left; it enters frame only where stated. The DJ's appearance, cap, patch lettering, tank, chain, tattoos and jeans strictly correspond to [cs ref 1] and [cs ref 2] in every shot, no face-mixing, no wardrobe drift, no face changing; the cap patch reads exactly as on [imgref]. Every dancer is a different person and moves only as choreographed below. Music from [audio ref] only. 0–3.72s - SHOT 1 (32mm at T4, locked, deep focus): the whole art-car stage front-on from the mast, the DJ a small figure at the console nodding on every beat, the deck crowd swaying in half-time, dust drifting left to right through the sun. Cut at 3.72s. 3.72–7.44s - SHOT 2 (85mm at T2, slider): medium-close profile from house-right, focus on his right hand on the fader, face soft; the camera pushes in twenty centimetres over the shot. He presses one headphone cup to his left ear and nudges the fader up on each downbeat. At 5.58s the focus racks from the hand to his eyes and holds. Dancers behind him sway in half-time as soft bokeh. Cut at 7.44s. 7.44–11.16s - SHOT 3 (24mm at T2.8, dolly): hero front from the rail, deep focus, the camera dollying in slowly. His left hand twists the filter knob a quarter turn per bar; his right hand rises from the console to above his head across the two bars, fingers opening. The dancers either side raise both arms together on the last beat of each bar. Cut at 11.16s. 11.16–13.02s - SHOT 4 (135mm at T2.8, locked): the crowd from above on a long lens, one face sharp in the middle of the frame, everyone else soft, hands rising together toward the stage, dust between the rows. Cut at 13.02s. 13.02–16.74s - SHOT 5 (16mm at T2.8, locked, low, looking up): the DJ silhouetted against the sky with both arms raised, holding the pose alive, chest rising, the dancers' arms held up with him, dust hanging still. At 14.88s, the drop: the sun edges into the top-left of frame and a long warm flare sweeps across the lens as his arms come down to the console in one clean movement; the crowd jumps once, together, and settles into a bounce on the beat. Focus softens in the flare and resolves on him by 15.5s. Cut at 16.74s. 16.74–18.60s - SHOT 6 (50mm at T2, locked, shooting into the sun): a single dancer on the playa in near-silhouette, backlit, completing one full spin with one arm high, hair and fringe skirt flaring, flare streaking across the frame, the crowd behind her soft. Cut at 18.60s. 18.60–22.33s - SHOT 7 (drone): top-down over the crowd toward the stage, the drone rising slowly from thirty to forty metres, no rotation, the whole crowd bouncing in time as one field, long shadows to the left. Cut at 22.33s. 22.33–26.05s - SHOT 8 (85mm at T1.8, locked): medium-close from house-right, opening focused on the dancers behind him; at 22.33s the focus racks onto his face as he looks up from the decks with a wide grin and pushes a fader all the way up with his right hand, then nods on the beat, chain swinging, fists rising behind him on each downbeat. Cut at 26.05s. 26.05–30s - SHOT 9 (24mm at T4, locked, deep focus): full stage front, the whole deck bouncing in time, the DJ centre with one arm up, nodding on every beat, string lights swaying gently. The camera settles. Hold. Global: prohibit handheld shake, whip pans and zooms; only the slider push, the dolly-in and the drone rise move the camera. Natural lens switch at every cut, prohibit rigid cutting, prohibit objects appearing out of thin air. No subtitles, no on-screen text, no watermark, no generated music; the only sound is [audio ref] with faint crowd ambience under it. No sunglasses on the DJ, no second DJ, no dancer larger in frame than the DJ, no face-mixing. Sun direction, wardrobe and stage rig identical in every shot.