Beatboxing Chameleon Macro Video Prompt

A 30-second photoreal macro shot of a chameleon on a branch that beatboxes, and whose skin color changes in perfect sync with each sound it makes: every distinct beatbox sound has its own color, and the audio and skin must land on the same frame. The scene: macro depth of field, a veiled chameleon on a mossy branch against a soft dark jungle bokeh, studio-quality naturalistic lighting. Its resting skin is muted green. Color rules, absolute: kick drum sounds flash its whole body deep crimson, snare sounds flash electric cyan, hi-hat ticks ripple thin gold bands down its tail only, and bass wobbles roll waves of violet from head to tail for exactly as long as the wobble lasts. Beat 1, 0-5s: the chameleon's eyes swivel independently to find the camera. It inflates its throat, taps the branch twice with one foot like counting in, and starts a slow simple pattern: kick, hi-hat, snare, hi-hat. Crimson flash, gold tail ripple, cyan flash, gold tail ripple, each dead on the sound. Beat 2, 5-12s: the pattern doubles in speed and complexity, kicks and snares interleaving, the colors strobing cleanly with no bleed between crimson and cyan, gold ticking down the tail like a metronome. Its body bobs with the rhythm, eyes now locked forward. Beat 3, 12-19s: it drops a long bass wobble: a rolling violet wave travels head to tail and back, repeating with the wobble's rhythm, while sparse kicks punch crimson through the violet. The camera pushes in slowly on its face, throat pulsing visibly with each sound. Beat 4, 19-26s: full showcase: a fast intricate pattern using all four sounds, the body a precise light show, crimson, cyan, gold, violet, every color landing frame-accurate on its sound. A small leaf vibrates off the branch from the bass. Beat 5, 26-30s: one final kick-snare-kick, three clean flashes, then it stops, returns to muted green, and slowly extends its tongue to snag the fallen leaf from mid-air and reel it in. Hold on its smug chewing face. Camera: locked macro with one slow push in beat 3, no cuts. Audio, two layers: foreground, the full beatbox routine performed in a plausible small-reptile timbre, wet and percussive, every sound synced to its color; bed, quiet jungle night ambience, faint insects. No music besides the beatboxing itself. No dialogue.