1990 Coca-Cola Commercial Prompt

[GOAL] A 15-second Coca-Cola television commercial as it would have been produced in 1990, composed for a square 1:1 frame, 1440x1440, 24fps. High-gloss, fast-cut, sound-design led. Everything must belong to 1990. [MEDIUM] 35mm, high saturation, hard specular highlights, punchy contrast, deep blacks. Glossy commercial cinematography - every surface either wet, frozen or gleaming. Crisp and overlit in the way premium commercials of the period were. [CAMERA] Fast and aggressive. Whip pans, one crash zoom, one fast dolly push, one locked macro. Cut hard on every beat. Nothing lingers. [SETTING] A city rooftop basketball court on a blazing summer afternoon, heat shimmer on the tarmac, a chain-link fence, a fire escape, hard blue sky. Young adults in 1990 sportswear - high-waisted shorts, block-colour vests, high-top trainers. [SEQUENCE] 0-2s Macro. Ice cubes crashing into a glass in slow motion, water exploding upward, backlit hard. 2-4s Whip pan to a player mid-game on the rooftop court, sweating, breathing hard, stopping. 4-6s Extreme close-up. A finger hooks the ring-pull of a chilled red Coca-Cola can. The tab cracks. Pressurised gas escapes in a visible burst of vapour. 6-8.5s The pour - Coca-Cola hitting ice in a glass in slow motion, foam climbing, the liquid backlit deep amber-red. 8.5-11s He drinks. Crash zoom in. He lowers the can and exhales hard with visible satisfaction. Condensation runs down the can in his hand. 11-13s Fast montage, three shots, half a second each: the ball through the hoop, water off a shaken head, the can set down hard on a metal bench. 13-15s Cut to the end card: a solid red field, the white Coca-Cola script above the white dynamic ribbon wave, and beneath it, in bold white type, "Can't Beat the Real Thing." Hold. [TYPOGRAPHY] The only text is the end card, set in a hard-edged bold sans-serif with the slightly over-sharp, high-contrast quality of a 1990 digital character generator - clean, a little clinical, sitting flat on top of the picture rather than integrated into it. [AUDIO] Bright, punchy, wide stereo with a modern-for-1990 digital sheen and heavy compression. Music: an energetic rock-funk bed - slap bass, a bright electric guitar riff, gated reverb on a live drum kit, brass stabs on the cuts. Sound design is the star and must sit forward in the mix, each effect exaggerated and hyper-real: ice cracking into glass, the metallic snap of a ring-pull, a sharp pressurised gas hiss, liquid hitting ice, carbonation fizzing loudly, a swallow, and a hard satisfied exhale at 10 seconds. Trainers squeaking on tarmac and a ball through a chain net. No voiceover of any kind. No spoken words at all. The tagline appears only as type. [NEGATIVE] No glass hobbleskirt bottles as the hero - 1990 leads with the can. No modern smartphones, no flat-screen displays, no modern sportswear branding, no modern haircuts. No handheld documentary style, no muted colour grade, no film grain heavy enough to read as vintage. No acoustic or folk music, no orchestral score. No captions, subtitles, hashtags, social media interface or watermarks. Do not use "Always Coca-Cola" - that tagline launched in 1993. No polar bears - they are 1993. No announcer, no dialogue.