Pôster de Viagem com Objetos em Doodle Fotográfico

Transform each travel photo I upload into a separate, high-end designed poster. Output each photo individually - no multi-image collages. Use a 3:4 vertical composition, made up of a clearly visible real photo and a "photo-doodle travel object" redraw from the same scene. The upper and lower areas should be close to 1:1 in height, with a clean, straight, restrained horizontal divider - no blur, feathering, blending, or image overlap at the divider. ## Upper section: original real photo Faithfully preserve the identity, number, pose, direction of movement, key objects, relationships between people, street or spatial structure, viewing angle, real materials, natural lighting, and original color atmosphere of the source photo. Apply only light travel-magazine, indie-publication, or photo-exhibition-grade color grading, plus a very thin layer of film grain. The upper section must remain a clear, real, substantial photographic image. Do not redraw the photo, do not move people, do not change the identity or structure of vehicles, food, shops, tables and chairs, boats, or souvenirs, and do not add cultural symbols or travel objects that are not present in the photo. To fit the frame, you may naturally extend a small amount of sky, ground, wall, or surrounding environment, but do not stretch, squeeze, mirror, copy, or distort the main subject. ## Lower section: photo-doodle travel object Extract one core travel object from the same photo that is most worth remembering, for example: - a vehicle, bicycle, motorcycle, boat, or cart; - a coffee cup, plate, food, utensil, or tabletop arrangement; - a chair, suitcase, street sign, umbrella, or souvenir; - a shopfront, sales window, newsstand, or street stall; - any other everyday object with a clear silhouette and a strong sense of place. People may remain, but only as a supporting relationship for the object's action, usage, and travel story - they must not take over the main visual focus. First understand the most important object's identity, silhouette, direction, color, and usage relationship in the photo, then actively remove complex backgrounds, unrelated passersby, repeated buildings, advertisements, dense signage, small decorations, and photographic noise. Do not shrink the full original photo into the lower section, and do not simply outline or cartoonify the entire image. ## Secondary composition Use a "reduced and distilled" editorial composition. The core object should occupy about 40% - 65% of the lower section's width and about 30% - 58% of its height, placed in the center, lower area, or to one side. Vary the subject's scale, cropping, and spatial position based on the photo content, so the lower section is clearly distinct from the photo above. Keep only one core object, paired with one to three necessary scene cues, such as: - a short stretch of road, track, or tabletop; - a door, a window, or a corner of wall; - a hand using the object or a reduced-scale person; - a shadow, steam, motion trail, or directional line. The redrawn area must retain about 35% - 55% of continuous warm-white paper surface or light empty space, so the subject can breathe. Do not use template-style white borders, and do not break the empty space into many small gaps. ## Photo slices and matte color blocks The core object must not become a plain illustration. Retain a small amount of real texture from the original photo, using: - one to three cropped photo-texture areas; - the object's most recognizable real surface; - partial photographic texture from windows, food, fabric, metal, or wood; - irregular photo slices that follow the original silhouette. Photo slices should sit naturally within matte color blocks and hand-drawn lines - no regular photo frames, no dense album-style collage. The remaining structure should be re-summarized using 4 - 6 matte flat color blocks extracted from the photo. Keep one most recognizable vivid color as the visual focal point, and reduce saturation moderately on the other colors. Color block edges may show slight hand-drawn irregularity, paint gaps, and paper showing through - avoid smooth vector shapes and commercial digital illustration quality. ## Narrative doodles Add a very small number of hand-drawn doodles related to the real scene around the core object. Choose based on the photo content: - arrows indicating action or direction of movement; - motion trails for vehicles, boats, or people; - steam lines above food and drinks; - light sound marks, vibration lines, or waiting marks; - arcs connecting people and objects; - circles, underlines, or short observation marks; - one or two very simple small symbols. Doodles must explain the object's action, usage, or travel mood - not pure decoration. Use black, dark ochre, or one dark color from the photo, rendered with loose marker, crayon, oil pen, or pencil lines. Lines may have breaks, redraws, slight overshoot, and uneven ink. Keep doodle quantity restrained - usually only 3 - 7 small line groups or symbols. Do not turn the whole image into a children's doodle book, comic storyboard, or dense sticker page. ## Text Before generating, determine and accurately render the following text based on the objects, places, actions, or atmosphere actually visible in the photo: 1. A main title of 1 - 3 English words; 2. The field: "OBJECT NOTE 01"; 3. One observation sentence of 5 - 12 English words. The title can be the object's name or a short travel feeling, for example: - "YELLOW TRAM" - "LATE LUNCH" - "CORNER TABLE" - "SMALL FERRY" - "STREET CART" - "RAINY RIDE" The observation sentence must only describe colors, actions, positions, and object relationships that truly exist in the photo - do not invent brands, places, dates, or stories. Text should be concentrated in a continuous empty area, forming a clear editorial caption group with the core object and doodles. The main title must be clearly readable at chat preview size, and the secondary text must not shrink into unreadable decorative gray lines. Use loose handwriting, old small print, or narrow marker-texture lettering. Text edges may show slight ink gaps, repeated tracing, and paper friction - as if the drawer wrote it on the paper along with the doodles. Do not use smooth floating digital typography. Do not copy advertisements, signage, or brand text from the original photo. No author names, signatures, social accounts, logos, URLs, QR codes, fake Chinese characters, gibberish, or meaningless numbers. ## Overall mood Like picking out the one small thing from a travel photo you can't bear to forget, then re-saving it with photo fragments, matte colors, and a few casual hand-written notes. Relaxed, smart, observant, slightly humorous, and full of everyday life - while keeping the restrained layout of an independent travel magazine and art publication. Strictly avoid: full-photo cartoon filter, same-crop same-scale redraw, complete realistic lower background, dense doodles, childish cartoon page, comic panel, generic travel stickers, copied signage, invented brand, excessive arrows, excessive symbols, multiple competing objects, glossy 3D, smooth vector shapes, digital gradients, oversaturated colors, tiny decorative source photo, missing source-photo comparison, fake text, author signature, watermark.