Invite de création d'affiche architecturale chinoise

Transform each travel photo I upload into an individual, high-end design poster - no multi-image collages, each photo output separately. Use a 3:4 vertical composition, with a warm ivory natural rice paper background. The image must preserve both a clearly visible original photo and a stylized reinterpretation, creating a contrast between real photography and classical painting - but the two do not necessarily have to each occupy 50% top and bottom; the ratio can adjust naturally according to the photo's structure. The upper portion, roughly 40% - 45% of the frame, faithfully preserves the original photo. Accurately maintain the architecture, bridges, pavilions, boats, trees, waterfront, and their quantities, positions, proportions, and spatial relationships, applying only restrained artistic treatment and an extremely fine grain effect. Do not redraw, stretch, distort, or replace the subject of the upper photo. The remaining roughly 55% - 60%, within a large area of blank paper, features a clearly outlined circular fan-shaped painting core. Only render the circular painting area here - do not generate a fan handle, tassels, or product-style staging. Extract the most recognizable architectural structures from the photo and reconstruct them in the Chinese jiehua (boundary painting) manner. Use fine, precise, grid-sense ink lines to express column grids, roof ridges, dougong brackets, railings, bridge arches, courtyard walls, and door/window relationships. Architectural structure is the focal point of the image; trees, rocks, and water serve only as restrained accents, and buildings should not be covered by vegetation. Simplify repetitive objects and cluttered environments from the photo, organizing rooflines, boat canopies, bridge oars, or waterfront structures into clear, rhythmic structural relationships. Use light ink, slate gray, mineral green, ochre, and a very small amount of cinnabar, preserving the muted, matte texture of mineral pigments on paper. The circular painting core should also include appropriate negative space - water surfaces, sky, and distant views can be represented directly by unused paper. Around the circular painting core, in the surrounding blank space, apply a small amount of readable English typography: extract a 2-4 word English title from the photo's location or subject, and add a number and a brief observational sentence. Use fine, widely letter-spaced serif type or small caps throughout - the text must be accurate. Overall aesthetic references: ancient jiehua painting, architectural surveying, round-fan painting conventions, and modern art publications - rigorous, quiet, restrained, refined, with a collectible feel. Avoid: fake Chinese characters, calligraphy, seals, classical poetry, artist signatures, physical fans, fan handles, scroll wooden rods, picture frames, wall mockups, fictional palaces, extra figures, cranes, fantastical architecture, full-frame antique painting effects, photographic filter-style reinterpretation, blurred architectural boundaries, and cheap cultural-product commercial vibes.