British Crime Scene: Garage Boot Sequence

STYLE PREFIX - VERNON CREW / British crime (Guy Ritchie × Refn) - INT. COMMONS GARAGE, EVENING; menacing, grounded OPTICS: SHOT1 28mm wide; SHOT2 18mm (boot-POV, slight wide-angle look-up); SHOT3 50mm; SHOT4 40mm. One lens per shot, locked, no drift. CAMERA: FOUR-SHOT sequence, THREE hard cuts. Near-static / slow deliberate; no slow-motion. LIGHTING: interior EVENING - warm tungsten POOLS from hanging pendant lamps, deep cool shadow; practical, moody, high-contrast but no crushed black; glints on the black Mercedes paint and the red iron columns; wet concrete sheen. (NO daylight/sky.) STYLE: photoreal British gangster realism - captors unloading a captive from the boot; quiet, heavy menace with a flicker of dry dark humour. 60:30:10 - dominant ~60% dark garage + the black Merc; secondary ~30% the men's dark clothing; accent ~10% warm pendant light + oxblood-red columns + the green/black bags. MOVEMENT NOTE (NO robotic acting): real human weight; Tobin slow predatory power, Teddy bored-dangerous, Horace cramped/terrified; never stiff/marionette. QUALITY: ARRI Alexa, vintage spherical primes, subtle anamorphic; sharp, stable; no grain/overexposure/ghosting; nothing modern beyond 2011; British spelling. REFERENCES @[loc_CB_Commons_Garage_Merc_Front](18fd3fc2-7aa5-49ee-8522-06ff65f376d5) (THE COMMONS - GARAGE with the black Mercedes ML, plate "L610 KXG", evening): timber beams, exposed brick with oxblood-red dado, riveted RED iron columns, pendant lamps, wet concrete, workbench/oil drums left, freight-lift cage right, big WOODEN garage doors at the rear. 100% matches. @[char_CB_Tobin](644321a4-b69e-49a5-b0d4-3c4e0dbc523c) (TOBIN): 40s, huge BALD Black man, full dark beard, diamond stud earring, SPARROW/BIRD tattoos on both hands; BLACK LEATHER LONG COAT over black waistcoat + black shirt, black trousers, black Chelsea boots; slow predatory power, head-down death-stare. OPENS the boot, AIMS the pistol and SPEAKS - all Tobin. 100% matches. @[char_CB_Teddy_chups](54bec7ac-5d0a-4eab-805b-fded4ce689d5) (TEDDY): 30s, BALD/shaved Black man, short beard; OLIVE-GREEN WAXED jacket over a navy ROLL-NECK (turtleneck), dark trousers, brown suede boots, gold watch; rigid military-straight; a CHUPA CHUPS LOLLIPOP in his mouth (white stick, cheek working), bored-dangerous. 100% matches. @[char_CB_Horace_v5](39aad574-4edc-4c3c-a3be-b9c81766093b) (HORACE): young slim man, curly black hair, glasses, light beard, GREEN bubble/polka-dot cropped jacket (black collar) over navy tee, baggy grey jeans, olive trainers; terrified, cramped in the boot. 100% matches. @[prop_CB_gunTobin_s26_v1](6cfc46bc-31af-41c9-8f68-2b37bfe6da0a) (TOBIN's pistol - worn blued BROWNING HI-POWER-type, with hammer): in TOBIN's hand; he AIMS it at Horace. 100% matches. @[prop_CB_moneybag_green_v1](96cdfe25-218c-44fb-addb-9ac0ea0c344d) (GREEN closed holdall) + @[prop_CB_moneybag_black_v1](6b49fe8c-67a3-48f0-b894-1218aca21e7a) (BLACK closed holdall): both lying in the boot beside Horace. 100% matches. TOBIN VOICE (verbatim): "A 45-year-old English man. Deep, gravelly baritone with an East London accent; slow, deliberate, and quietly authoritative delivery; coldly menacing and experienced, projecting heavy dominance without needing to raise his voice." LINE ATTRIBUTION - ONLY TOBIN speaks, once (dry, cold, faint grim humour, NOT shouted): "Come on, Sleeping Beauty. Out you get." Teddy is SILENT (just sucking the lollipop). FORMAT - total ~12–14 seconds, real-time, THREE hard cuts, no fades. NO music - ambience only. NO slow-motion. - SHOT 1 - WIDE establishing lock, 0.5s - Locked WIDE in @[loc_CB_Commons_Garage_Merc_Front](18fd3fc2-7aa5-49ee-8522-06ff65f376d5): at the REAR of the black Mercedes ML, between the BOOT and the big WOODEN garage doors, TOBIN stands on the LEFT (black leather long coat) and TEDDY stands on the RIGHT (olive waxed jacket, CHUPA CHUPS in mouth). A held tableau locking both men and positions. (~0.5s) - HARD CUT - - SHOT 2 - BOOT-POV, framing matches the attached reference (~3s) - Camera mounted LOW INSIDE the open boot looking UP and OUT at the two men peering down into it (the iconic 'looking-down-into-the-boot' angle from the reference image - open boot lid arcing across the top of frame, the two men's faces/torsos looming above against the background). TOBIN (frame-left, black leather coat, sparrow-tattoo hand reaching up to the boot lid) has just OPENED the boot; TEDDY (frame-right, olive jacket, lollipop) looks down too. Behind/above them: the garage ceiling pendant lights and the WOODEN garage doors (NOT a street/sky - keep the garage interior). HORACE is in the boot but OUT OF FRAME (he is essentially the camera's POV); we do NOT see him. - HARD CUT - - SHOT 3 - MEDIUM on HORACE in the boot (~3s) - Down into the open boot: HORACE @[char_CB_Horace_v5](39aad574-4edc-4c3c-a3be-b9c81766093b) lies curled and terrified, and beside him lie the TWO closed bags - GREEN @[prop_CB_moneybag_green_v1](96cdfe25-218c-44fb-addb-9ac0ea0c344d) and BLACK @[prop_CB_moneybag_black_v1](6b49fe8c-67a3-48f0-b894-1218aca21e7a). His wide eyes dart up. - HARD CUT - - SHOT 4 - MEDIUM on TOBIN & TEDDY at the boot (~5s) - MEDIUM two-shot of TOBIN (left) and TEDDY (right) looking down into the boot. TOBIN RAISES and AIMS @[prop_CB_gunTobin_s26_v1](6cfc46bc-31af-41c9-8f68-2b37bfe6da0a) (Browning Hi-Power) at Horace and says, dry and cold with the faintest grim humour: "Come on, Sleeping Beauty. Out you get." Beside him TEDDY just stands, lollipop in his mouth, deadpan, sucking it. HORACE flinches and BEGINS to clamber out. END as he starts to rise. CHARACTER ACTING TOBIN: huge, slow, predatory; quiet heavy dominance; opens the boot, levels the Browning, delivers the line low and dry (menace + a flicker of dark amusement, never shouted, never a real smile); rare slow lid-drop death-stare; black leather coat heavy on his frame. TEDDY: rigid military-straight, performative unblinking stare; CHUPA CHUPS lollipop in his mouth - sucks/shifts it, cheek working; bored-dangerous, silent. HORACE: terrified, jittery, cramped; wide darting eyes behind the glasses; flinch at the gun/line, scrambling to obey. EYE-LIFE on all - real blinks, never frozen/glassy. PHYSICS - the boot/tailgate lifts with real weight; the car dips slightly; Horace's cramped movement is awkward and real; the bags shift; the lollipop stick moves; pendant light steady. No jitter, NO slow-motion. AUDIO - NO MUSIC. Garage ambience: the boot latch popping and tailgate gas-strut hiss, low industrial hum, scuffling as Horace stirs, a faint wet lollipop-suck from Teddy; Tobin's dry line (Tobin voice). No other dialogue. POSITIVE LOCKS ONE prompt, FOUR-SHOT sequence, THREE hard cuts, INT. @[loc_CB_Commons_Garage_Merc_Front](18fd3fc2-7aa5-49ee-8522-06ff65f376d5) (black Merc, wooden doors, evening pendant pools - NO sky/daylight). SHOT 1 = 0.5s WIDE lock: TOBIN @[char_CB_Tobin](644321a4-b69e-49a5-b0d4-3c4e0dbc523c) LEFT (black leather coat), TEDDY @[char_CB_Teddy_chups](54bec7ac-5d0a-4eab-805b-fded4ce689d5) RIGHT (olive waxed jacket + roll-neck, CHUPA CHUPS), between boot and wooden doors. SHOT 2 = BOOT-POV looking UP/OUT at both men peering into the open boot (composition per the attached ref; open boot lid across top; garage ceiling + wooden doors behind, NOT street/sky), TOBIN opening it; HORACE in the boot but NOT visible. SHOT 3 = MEDIUM down on HORACE @[char_CB_Horace_v5](39aad574-4edc-4c3c-a3be-b9c81766093b) curled in the boot with GREEN @[prop_CB_moneybag_green_v1](96cdfe25-218c-44fb-addb-9ac0ea0c344d) + BLACK @[prop_CB_moneybag_black_v1](6b49fe8c-67a3-48f0-b894-1218aca21e7a) bags. SHOT 4 = MEDIUM two-shot, TOBIN (left) & TEDDY (right) look into the boot, TOBIN AIMS @[prop_CB_gunTobin_s26_v1](6cfc46bc-31af-41c9-8f68-2b37bfe6da0a) (Browning) and says "Come on, Sleeping Beauty. Out you get." (Tobin voice); TEDDY silent with lolly; HORACE starts to clamber out. CORRECT LOOKS: Tobin bald+beard+BLACK LEATHER COAT+bird-hand tattoos; Teddy bald+OLIVE WAXED JACKET+navy roll-neck. ONLY TOBIN speaks. EYE-LIFE on all. Warm tungsten/evening, NO daylight. NO music, REAL TIME, NO slow-motion. Colour 60:30:10. Nothing modern beyond 2011. British spelling.