Indicación para la creación de un póster arquitectónico chino

Please create each travel photo I upload as an independent, high-end design poster - no multi-image compositing, each photo output separately. Use a 3:4 vertical composition, with a warm ivory natural rice paper as the background. The frame must simultaneously preserve a clearly visible original photo and a stylized reinterpretation, forming a contrast between real photography and classical painting - but not necessarily 50/50 top and bottom; proportions can adjust naturally based on the photo's structure. The upper portion, roughly 40% - 45% of the frame, faithfully preserves the original photo. Accurately maintain the buildings, bridges, pavilions, boats, trees, waterfront, and their count, position, proportion, and spatial relationships - applying only restrained artistic treatment and an extremely fine grain. Do not repaint, stretch, distort, or replace the subjects in the upper photo. The outer 55% - 60% sets a clearly outlined circular round-fan painting core within the large blank paper area. Only render the circular painting zone here - no fan handle, tassels, or product-style staging. Extract the most recognizable architectural structures from the photo and reconstruct them in the Chinese jiehua (boundary painting) manner. Use fine, precise, grid-sense ink lines to express column grids, roof ridges, dougong brackets, railings, bridge openings, courtyard walls, and door/window relationships. Architectural structure is the focal point of the painting; trees, rocks, and water serve only as restrained accompaniment - do not let vegetation cover the buildings. Simplify repetitive objects and cluttered environments from the photo, organizing rooflines, boat canopies, bridge oars, or waterside structures into clear, rhythmic structural relationships. Use light ink, azurite gray, malachite green, ochre, and a minimal amount of cinnabar, preserving the dull, sectional texture of mineral pigments on paper. The circular painting core should also incorporate appropriate blank space - water surfaces, sky, and distant views can be represented directly by unused paper. Around the blank space of the circular painting core, apply a small amount of legible English typography: distill a 2-4 word English title from the photo location or subject, and add a numbering plus a brief observational sentence. Use a fine serif font or small caps with generous letter-spacing; the text must be accurate. Overall tone references ancient jiehua, architectural surveying, round-fan painting, and modern art publications - rigorous, quiet, restrained, refined, with a collectible quality. Avoid: fake Chinese characters, calligraphy, seals, classical poetry, artist signatures, physical fans, fan handles, scroll rods, picture frames, wall mockups, imaginary palaces, extra figures, cranes, fantastical architecture, full-frame antique painting, photographic-filter-style reinterpretation, blurred architectural boundaries, and cheap cultural-product kitsch.