Surrealist Papier-Mache Mask with Fruit Features

Create a vertical surrealist image in 9:16 format. In the center of the composition is a large female mask in the form of an oval face, handmade from papier-mache. The mask is shown strictly en face and occupies the upper part and middle of the frame. There is no head, neck, or body of a person behind it - it is a separate decorative object mounted on a stick. The face of the mask is painted with matte pink paint of a muted warm shade. The paint is applied by hand and does not hide the structure of the material. Layers of paper, small folds, cracks, uneven edges, brush strokes, traces of glue, and small natural defects are clearly visible over the entire surface. The shape of the face is elongated, feminine, with a rounded forehead, pronounced cheekbones, and a softly pointed chin. Instead of ordinary eyes, two whole apples of the same size are inserted into deep round eye sockets. The apples are placed symmetrically and turned with their dimples and stems forward, like pupils. The skin of the apples is natural, glossy, red-golden with green and yellow transitions, small speckles, and realistic highlights. Along the edges of the apples, the dark depth of the eye socket is visible, emphasizing their volume. There are no human eyes, eyelids, eyelashes, or pupils. Instead of a nose, one large ripe pear is attached to the center of the face. The pear is positioned vertically, with its wide part down and its thin part and brown stem up. It protrudes above the surface of the mask and looks voluminous. The skin of the pear is yellow-green, with natural brown speckles, slight roughness, and a soft moist sheen. The pear must remain unchanged and be unambiguously perceived as a real fruit, not as a nose of the usual shape. The lips are formed by two whole red chili peppers. The peppers are placed horizontally and parallel to each other: one represents the upper lip, the second the lower lip. They are slightly curved towards each other, creating a clear contour of a closed mouth. Both peppers are bright red, smooth, shiny, and realistic. Their green stems are on the left and clearly distinguishable. Between the peppers there remains a narrow dark line, similar to the mouth slit. There are no ordinary human lips. The hair of the mask is entirely made of white medical cotton wool. Large fluffy cotton balls form a voluminous round hairstyle and densely frame the face on all sides. On top, the cotton hair is especially lush; on the sides, it descends in large soft curls to about the level of the chin. Airy fibers, light fluffiness, loose structure, and small irregularities of each cotton ball are clearly visible. The hair is pure white with soft cream shadows, without real human hair. At the bottom, in the center of the mask, one thin straight wooden stick of light brown color is attached. The stick comes out strictly from the lower part of the chin and is clearly visible against the free background area. It has a natural wood texture, fine longitudinal fibers, and a matte surface. The mask should look like a theatrical mask or a puppet head on a handle. From the lower part of the frame, one female hand appears, confidently holding the wooden stick. The wrist and part of the forearm are visible. The hand is positioned slightly to the left of center, with fingers naturally wrapping around the stick. The anatomy is correct: five fingers, realistic knuckles, and skin folds. The nails are short, neat, oval-shaped, covered with a natural translucent beige-pink varnish. No rings, bracelets, or other jewelry. No second hand. The background is a solid studio background, of a soft muted mint-green shade. In the center it is slightly lighter, and closer to the edges it smoothly becomes a deeper gray-green. The background is matte, slightly textured, without objects and a visible horizon line. The pink face, white cotton hair, and natural colors of the fruit should stand out clearly against the background. The lighting is soft, directed from above and slightly from the left. Neat realistic highlights appear on the apples, pear, and peppers. The texture of the papier-mache is emphasized by small shadows in the folds and cracks. The cotton hair is illuminated diffusely, with soft cream halftones. Behind the mask and the hand there is a barely noticeable natural shadow, creating depth and separating the objects from the background. Style: surrealist object photography, contemporary decorative and applied art, artistic handmade doll, editorial art photography, slightly absurd and ironic aesthetics. The image should look like a real studio photograph of a physically made object, not like a smooth computer 3D model. High detail, realistic materials, natural imperfections of handmade work, a clear main subject, and neat negative space. The composition is strictly vertical, 9:16 format. The mask is centered and fits entirely in the frame together with the cotton hair. The stick and the female hand are clearly visible. The top edge of the hairstyle, the lower part of the hand, and the edges of the mask are not cropped. Without a neck, shoulders, torso, human body, a person behind the mask, ordinary eyes, an ordinary nose, ordinary lips, real hair, a second hand, additional fruits, leaves, dishes, decorative props, text, logos, and watermarks. Without deformed fingers, extra limbs, asymmetrically placed apples, a forked stick, plastic skin, glossy papier-mache, a frightening atmosphere, blood, damage, and artifacts of artificial intelligence.