Mother Deer and Fawn Technicolor Reference Sheet

Render a 16:9 creature production reference sheet according to the following specification. Every field describes the finished sheet. SHEET: layout: two-subject reference sheet on one continuous ground - the doe standing in full body occupying the left two-thirds with the fawn standing close against her flank, and one large head-and-neck close-up of the doe on the right, all on the same seamless surface with soft contact shadows beneath the hooves aspect: 16:9 horizontal, 4K surface: the sheet carrying photographic image only, every surface free of lettering, ticks and graphic marks MEDIUM: stock: Technicolor three-strip dye-transfer print, 1950s live-action feature, large-format negative artifact: fine dye-transfer grain across the whole sheet, gentle halation blooming off the brightest edges note: both views are photographed frames of the same two real living animals on a soundstage, same stock and same grain structure SUBJECTS: subject_1: description: A fully grown red deer doe, anatomically exact and completely real - correct cervid skeleton and musculature, deep chest, long clean legs, sharp hocks, the shoulder blade moving visibly under the hide, tendons readable at the pastern. Her coat is DUSTY ROSE PINK - the true short dense summer coat of a deer rendered in powder rose, individual hairs visible and lying in real growth patterns with a whorl at the shoulder and a swirl at the haunch, the hair shorter and tighter over the face and legs, longer and thicker along the neck and spine, paling to a soft cream along the belly, the inner thighs and under the tail, deepening to a warmer dusty rose along the spine and over the shoulders. A dark rose muzzle, wet and finely pored at the nose leather. Large liquid dark-brown eyes set to the side of the head with long lashes and a wet meniscus at the lower lid, the pupil horizontal. Tall mobile ears lined with pale cream hair, one nicked at the edge from an old injury. Delicate short antlers of pale bone rising from the brow - a modest set, two points to a side, the tines smooth and worn. Ribs faintly readable, a light dusting of forest dirt on the lower legs, one small healed scar on the left flank. build_detail: fine hair detail throughout with real coat direction, damp sheen at the nose and around the eyes, breath moisture at the nostril, individual whiskers on the muzzle, hooves dark and slightly chipped wardrobe: A COLLAR OF JEWELS WORN ON THE ANTLERS AND BROW - fine chains of rose-gold strung with small clear brilliant-cut diamonds, looped from the base of one antler across the brow to the base of the other and hanging in two shallow swags over her forehead, each stone throwing sharp white sparks of refracted light, a single larger teardrop diamond hanging at the centre of the brow between the eyes. The chains are not a fitted collar and not removable jewellery - they have grown into and around the antler bases, the bone visibly closed over the metal where the two meet, hair grown through the links at the brow, the whole piece part of the animal rather than placed on it. mood: standing alert with the head raised and turned a fraction toward the lens, ears forward, neck tense, one forehoof advanced - a mother watching something she does not trust while her fawn stays pressed to her side subject_2: description: Her fawn, a few months old, small enough that its withers reach only to her belly. Correct fawn anatomy - leggy and slightly awkward, knees oversized, the head still short and rounded with a domed forehead, no antlers at all. Its coat is a PALER ROSE PINK than the mother's, soft and woolly rather than sleek, scattered across the back and flanks with the cream spots of a young deer, the spots reading as soft pale cream rosettes. Cream belly and inner legs, a pale rose muzzle, oversized dark eyes with a wet highlight, ears too large for the head and lined in cream. No jewellery of any kind - the antler chains belong to the mother alone. build_detail: woolly softer hair with visible fluff at the flank and the top of the tail, damp nose, faint milk staining at the corner of the mouth, hooves small and pale mood: standing pressed tight against the mother's near foreleg and slightly behind it, head turned to look directly into the lens with open uncomprehending curiosity, one ear forward and one turned back SCENE: backdrop: seamless mid-grey studio cyclorama reading cool blue-grey under the light, soft contact shadows pooling beneath the hooves - the same ground behind all views LIGHT: key: single large soundstage arc from front-upper-left at 5500K, medium-hard edge, raking along the coat so the hair direction and every whorl read clearly fill: broad white bounce from front-right at a 3:1 ratio, opening the shadow flank and the underside of the belly rim: soft bright edge along the spine, the neck and the tops of both animals' ears, lifting them off the grey ground and lighting the fawn's woolly fluff into a halo material_response: short dense hair returning a soft directional sheen that shifts with coat direction, the fawn's woolly coat scattering light more diffusely, nose leather a wet hard specular, antler bone a dry chalky matte, the diamonds refracting the key into sharp white star points and throwing tiny bright caustics onto the hair beneath, rose-gold chain a warm tight specular integration: catch-lights from the arc in all four eyes, warm bounce off the grey floor lifting the underside of both jaws and bellies, macro detail in the muzzle whiskers and the wet nose, the diamond sparks reading as the single brightest points on the sheet note: ONE continuous recipe across all views LOOK: color_grading: 1950s three-strip Technicolor dye-transfer response - red channel running hot and reaching furthest at the top of the range, greens pulled almost fully out so any green settles into cool blue-grey. CRITICAL: the rose coats stay DEEP AND FULLY SATURATED and luminous - the doe a rich dusty rose, the fawn a bright pale rose, both glowing against the cool grey ground; only the grey backdrop and neutral tones are desaturated. Highlights ceilinged just below paper white and rolling off into milky cream except for the diamond speculars which punch through as clean white points, shadows falling near-black with a magenta bias. The overall image rich, lush and jewel-like rather than muted or grey authenticity: 100mm at f/8 - both animals sharp nose to tail, individual coat hairs, the fawn's spot edges, muzzle whiskers, antler bone texture, every chain link and diamond facet resolving, fine dye-transfer grain over everything style: Technicolor three-strip dye-transfer print, fine dye-transfer grain, subtle halation - practical animal photography on a soundstage × Jack Cardiff Technicolor key lighting FIGURE_VIEWS: full_body: {azimuth: 30° three-quarter rotation, framing: both animals whole, nose to tail, standing on the same ground, scale: dominant, placement: left two-thirds of the sheet, note: the doe standing four-square with one forehoof advanced and the head raised and turned toward the lens, the fawn pressed against her near foreleg and slightly behind, its head turned to the lens; the height difference between them clearly readable, the brow chains and diamonds catching the key} close_up: {azimuth: 45° three-quarter rotation, framing: the doe's head and upper neck only, scale: large, placement: right third of the sheet, note: her head level with the lens, one dark eye holding the camera, the rose-gold chains and the two brow swags reading in full detail, the central teardrop diamond between the eyes, the point where the chain has grown into the antler base clearly visible with bone closed over metal, the nicked ear edge, wet nose and muzzle whiskers at maximum detail} CONSISTENCY_LOCK: the doe in the close-up is the same animal as the doe in the full body - identical head geometry, identical antler shape with the same two points a side, the same dark-brown eye, the same nicked left ear, the same dusty rose coat with the same whorl placement, the same brow chains with the same number of swags and the same central teardrop diamond, the same grown-in join at both antler bases. The fawn appears only in the full body view, is unmistakably the doe's own young - same rose family in a paler tone, same eye colour, same muzzle shape in juvenile proportion - and wears no jewellery at all. Same grey cyclorama, same light recipe, same Technicolor stock, same grain structure and same 100mm optics throughout.