MiniMax-H3 Cinematic Marriage Proposal Video Prompt

For the target video, at 0.00 seconds into the target video, <Picture 1> (from [Shot 1]) is fully referenced. integrated_multimodal_description: [Shot 1] Live-action, cinematic realism, action-movie tenderness inside a military hangar. Both people fully match <Picture 1>: the kneeling man on the left, the kneeling woman on the right, the ring box, aircraft, reflective floor, military uniforms, hairstyles, and warm industrial lighting. The first frame begins exactly from the pose in <Picture 1>, with no pose reset. IMAX 70mm film grain, inspired by Nolan cinematic aesthetics, photorealistic natural color grading with charcoal black, umber, dark ochre, ash gray, and pale amber interwoven. A side-on medium two-shot pushes in slowly as the man's hands tremble slightly around the ring box and the woman is visibly struck, leaning back a little, breathing unevenly, one hand trembling over her mouth while the other grips her leg. The low, awkward, serious man (S1) says: <d>[English] I know... this is probably a terrible time...</d> [Shot 2] At 00:02.800, the camera cuts to a long over-the-shoulder close shot from behind him, keeping his shoulder and the ring box edge in the foreground while the woman becomes the emotional center. She looks at the ring, then at him, gives a disbelieving laugh, almost cries, lowers her hand and brings it back to her mouth, shoulders shaking lightly as her breathing breaks. The emotionally overloaded woman (S2) says: <d>[English] What are you doing?</d> [Shot 3] At 00:07.400, the camera cuts to a short over-the-shoulder close shot from behind her. He tightens his grip, lifts the ring box slightly, and says: <d>[English] Probably messing this up...</d> then <d>[English] But marry me.</d> [Shot 4] At 00:09.000, the camera cuts back to a closer two-shot weighted toward her. She laughs through rising tears, drops the hand from her mouth, lightly smacks his shoulder or chest, shakes her head, and says: <d>[English] You're insane.</d> [Shot 5] At 00:12.400, the camera stays close with no further cut. She lunges forward and hugs him in one quick emotional movement. He finally relaxes and holds her. Still laughing and nearly crying, she says softly: <d>[English] ...yes.</d> End on the aftershock of the embrace, not on ring placement. The man triggers the scene; the woman remains the emotional center throughout. No soap-opera melodrama, no glossy ad feeling, no equal performance split. overall_soundscape: Open hangar room tone, faint distant personnel and equipment activity, soft metallic echo, light fabric movement, close breathing, and small ring-box handling sounds. non_diegetic_music: N/A