High-End Editorial Paper-Cut Poster Design Prompt

Please create an independent high-end design poster for each photo I upload, without multi-image collage; each photo should be output separately. Use a 3:4 vertical composition, with the upper and lower sections strictly at 1:1, each occupying 50% of the frame. The upper section preserves the original photo, retaining its structure, realistic texture, natural light and shadow, and original color atmosphere, with only subtle high-end photographic color grading to create an artistic, independent publication, and exhibition photography feel. To fit the frame, you may naturally extend the sky, ground, or environmental background, but do not stretch, distort, or alter the subject. The lower section extracts the most distinctive subject, silhouette, pose, and narrative relationship from the photo, reconstructing them into minimalist hand-cut paper and paper-cut collage. Using one core subject as the visual anchor, through folding, cutting, layering, and overlapping, reinterpret its key silhouette, proportion, and structure rather than mechanically copying details; then select a few environmental relationships from the original image, transforming them into foreground, midground, and background paper layers, using proportional differences, axis lines, positive and negative shapes, front-and-back overlap, and large negative space to establish a clear hierarchy, making the subject immediately recognizable while embodying the restraint and order of modern editorial composition. The color palette is extracted from the most identifiable, vivid colors in the upper photo, converted into a limited and harmonious paper combination, with warm ivory or light-colored paper as the base, using primary colors, deep structural tones, light layering, and minimal accent colors to build space. Use fine matte paper, visible paper fibers, clean edges, and soft contact shadows, paired with natural diffused light, to highlight the thickness of folded layers and a genuine handmade feel, avoiding plastic 3D effects, cheap cardstock, neon colors, and complex gradients. The text establishes a complete high-end editorial micro-typography system. From the photo's subject identity, location, action, material, atmosphere, or symbolic meaning, distill a brief main title, paired with 2 to 4 very small auxiliary texts, flexibly combining object names, location information, numbers, chapter markers, sequence numbers, coordinate-style numbers, direction words, status words, material terminology, category labels, or a very short poetic annotation, without using years. The main title handles recognition and emotion, while the small text handles order, rhythm, and refinement. The text must be integrated with the paper-cut graphics in the composition, aligning along paper layer edges, subject contours, geometric axes, or negative space, or using horizontal/vertical layouts, rotation, wide letter spacing, edge alignment, corner pressure, cross-color blocks, paper-layer embedding, or interacting with the subject through overlap and interweaving. The main title may appropriately transform into paper-cut or folded-paper lettering, while the small text maintains fine, restrained modern editorial typesetting, using size contrast and directional shifts to form a reading path, ensuring the paper-art treatment visual