Foto-Doodle-Reiseobjekt-Poster-Prompt

Please create each travel photo I upload as one standalone, high-design poster. Output each photo separately - no multi-image collages. Overall use a 3:4 vertical composition, made of a clearly visible real photograph and a "photo-doodle travel object" re-draw from the same scene. Upper and lower areas are close to 1:1 in height, with a clean, straight, restrained horizontal divider. Do not blur, feather, fade, or overlap images at the divider. ## Upper half: real original photo Faithfully retain the subject identity, count, pose, direction of movement, core objects, relationships between people, street or spatial structure, viewing angle, genuine materials, natural light and shadow, and original color atmosphere from the original photo. Apply only light travel-magazine, indie-publication, or photo-exhibit grading, and add an extremely thin layer of film grain. The upper half must still read as a clear, real, substantial photographic image. Do not re-draw the photo, do not move people, do not alter the identity or structure of vehicles, food, shops, tables and chairs, boats, or souvenirs, and do not introduce cultural symbols or travel objects that are not in the photo. To fit the frame, you may naturally extend a modest amount of sky, ground, wall, or surrounding environment, but do not stretch, squash, mirror, duplicate, or distort the main subjects. ## Lower section: photo-doodle travel object Extract one core travel object from the same photo that is most worth remembering. Examples: - Vehicles, bicycles, motorcycles, boats, or carts; - Coffee cups, plates, food, utensils, or tabletop combinations; - Chairs, luggage, street signs, umbrellas, or souvenirs; - Shop fronts, sales windows, newsstands, or street stalls; - Other everyday objects with clear silhouettes and strong sense of place. People may be kept, but only as secondary relationships that explain the object's action, use, or travel story - they must not steal the visual center of attention. Start by understanding the most important object's identity, silhouette, direction, color, and usage relationship in the photo, then intentionally remove complex backgrounds, unrelated passersby, repeated architecture, ads, dense signage, small details, and photographic noise. Do not scale down the entire original photo into the lower section, and do not simply outline or cartoonize the full photo. ## Re-composition Use an "reduced and distilled" editorial composition. The core object should occupy roughly 40%–65% of the lower section's width and 30%–58% of its height, placed near center, lower, or off to one side. Adjust the subject's scale, cropping, and spatial position based on the photo's content so the lower section clearly differs from the photograph above. Keep only one core object, and add one to three necessary scene clues, such as: - A short stretch of road, track, or tabletop; - A door, window, or a corner of wall; - A hand using the object or a small-scaled person; - A shadow, steam, motion trail, or directional line. Re-draw area must keep 35%–55% of continuous warm-white paper or light empty ground, allowing breathing room around the subject. Do not use template-style white margins, and do not chop the emptiness into many small gaps. ## Photo slices and matte color blocks The core object cannot simply become an ordinary illustration. Retain small amounts of genuine texture from the original photo, optionally using: - One to three trimmed photo-texture zones; - The most recognizable actual surface of the object; - Local photographic texture in windows, food, fabric, metal, or wood; - Irregular photo slices adapted to the original silhouette. Photo slices should naturally embed into matte color blocks and handwritten linework - no regular photo frames, no photo-collage album layout. Build the remaining structure from 4–6 matte flat color blocks extracted from the photo itself. Keep one of the most distinctive vivid colors as a visual anchor, and reduce saturation mildly on the others. Allow slight manual edges, paint gaps, and paper showing through on the color blocks, and avoid overly smooth vector shapes and commercial digital illustration quality. ## Narrative doodles Around the core object, add a small number of handwritten doodles related to the real scene. Based on the photo, you may choose: - Arrows indicating motion direction or action, or trajectory; - Motion streaks for vehicles, boats, or people; - Steam or vapor lines rising above food or drinks; - Faint action marks, vibration lines, or waiting marks; - Connecting lines between rods and participants; - Circle-and-underline marks, spare underlines, or short observation ticks; - One or two extremely simple small symbols. Text must explain the object's action, use, or the felt moment - not pure decoration. Use black, dark ochre, or a dark tone from the original photo, expressed with loose markers, crayons, oil pastel, or pencil strokes. Lines can have breaks, re-draws, slight overshoot, and uneven ink coverage. Keep doodles restrained, typically 3–7 groups of small lines or symbols. Do not turn the entire frame into a childish scribble, comic panel, or dense sticker page. ## Text Before quick generation, based on the real objects, place names, actions, or atmosphere visible in the photo, confirm and render the following text accurately: 1. A main title of 1–3 English words; 2. The field "OBJECT NOTE 01"; 3. A single observation sentence of 5–12 English words. Titles may be object names or short travel impressions, for example: - "YELLOW TRAM" - "LATE LUNCH" - "CORNER TABLE" - "SMALL FERRY" - "STREET CART" - "RAINY RIDE" Observation sentences only write truthful colors, actions, positions, and object relations actually in the original photo - never invent brands, locations, dates, or stories. Place all text in a continuous blank area, arranged as a clear editorial caption set with the core object and doodles. The main title must be legible at a chat-preview size; no decorative gray lines that shrink into unintelligible. Fonts should be casual handwriting, small vintage typography, or narrow capitals with marker texture. Let edges have slight ink missing, overlapping strokes, and paper friction - like the caption is drawn together with the doodles, never using digitally smooth hovering type. - Do not copy ads, signage, or brand lettering from the original photo. - No author names, signatures, social handles, logos, URLs, QR codes, false Chinese text, gibberish, or meaningless serial codes. ## Overall tone As though picking the one object from a trip photo you can't bear to forget, then using photo fragments, matte color, and a few quick annotations to re-store it once more. Light, intelligent, observant, with a touch of humor and street life, while still carrying the restrained layout of an indie travel magazine or art publication. Mandatory avoid: full-photo cartoon filter, same-crop same-scale redraw, complete realistic lower background, dense doodles, childish cartoon page, comic panel, generic travel stickers, copied signage, invented brand, excessive arrows, excessive symbols, multiple competing objects, glossy 3D, smooth vector shapes, digital gradients, oversaturated colors, tiny decorative source photo, missing source-photo comparison, fake text, imperfectly written, author signature, watermark.